Refusal of the call…

I’m 10K words into the writing of my fantasy novel, and I’m at the “refusal of the call” scene; the scene in which the hero is presented with the quest and refuses it. Or, as Blake Snyder calls it in Save The Cat!, it’s the debate beat, where the hero questions if he should set out to seek his goal or not.

Of course, not every story needs this, especially sequels, but I’d argue that most stories do. It helps frame the conflict of the story, and it makes it quite apparent that the character is struggling with something. If the main character just got what he wanted all the time, audiences wouldn’t be very interested in his plight. Because there’d be no plight, and thus no story. In fact, I’d say everything before the debate is the “set-up” and the debate is the true beginning of the story. In some stories, especially in movies, the debate can be very small and subtle; just a glance backwards or a hesitation. But it’s still an important moment, and tells us, the audience, that the character really does not want to have to do this, even if we, the audience, would, and even if we know what he’ll end up choosing. Just think about any movie and you’ll find that there’s almost always at least a small hesitation before the hero takes his journey.

Of course, it’s not like you have to know all this consciously to understand it or find it showing up naturally in your daydreams or stories. I think most writers will do it without thinking about it, just as most musicians use rhythm without thinking about it; it’s just natural.

That said, I don’t think it hurts to be conscious of it either, just as it doesn’t hurt a musician to be conscious of rhythm.

Anyway, for better or worse, the debate scene in my novel is more than just a glance backwards. And it’s not really an action scene; it’s an inward debate. It’s probably the hardest scene to write, equalled in difficulty only by the “dark night of the soul” scene which comes before the climax, and of course the climax itself. These are moments in which the audience knows what’s going to happen, but you still have to make it believable and relatable.

In Star Wars, Luke first refuses the call, to which Obi-Wan replies something like: “You must do what you think is right, of course.” And then Luke goes home to find it destroyed and his aunt and uncle murdered, forcing Luke to have no choice but to accept the call. That seems like a bit of a cheat to me, to force Luke into the journey like that, but I think that sort of thing is much easier to get away with in movies, where pacing and visuals are more important, and an inward debate is much harder to communicate.

The original Planet of the Apes ending – a twist?

I just read a blog that said that the original Planet of the Apes film had a “phenomenal twist ending.” What? No it didn’t. When I first watched the original Planet of the Apes, the ending did not surprise me. Maybe it had somehow already been revealed to me (it must’ve been 20-something years old by the time I first saw it). But the crew crashes on a planet with an earth-like atmosphere (the air isn’t toxic or anything, and is just the right temperature), the animals are just like animals on earth, except the apes are the ones who can talk (albeit using many less facials muscles), they all speak English, and, as if that wasn’t enough, they dig up some old human relics. It should be plainly obvious where they are. I never thought the ending was meant to be a “twist” as if the audience was supposed to realize anything new; it was just a powerful way for the main character to at long last face the painful truth.

I do, however, remember Darth Vader revealing his fathership to Luke being a genuine surprise to me, even though the film must’ve been out for almost 20 years by the time I first saw it. I thought that was the coolest twist ever; I never saw it coming.

Novel progress…

I’m about 8,600 words into my new middle-grade / YA fantasy novel, or novella, whatever. I have no idea what the final wordcount might be. But writing is remaining quite exciting. Following a brief outline (and years of daydreaming), I have yet to hit any walls or plot problems, which I usually do at this wordcount, even for short fiction. So that everything has been going so smoothly for 8,600 words I think is a good sign.

Working on yet another new book

I know, I have yet to finish writing a novel; I keep starting new stories instead of finishing old ones. But I don’t care; when the feeling of I-must-write-this is strong enough, I must obey.

I started writing a new fantasy book last week. I’m not going to call it a novel, because it will more likely be novella length, probably between 35,000 and 50,000 words. It’s a middle grade or YA book (the main character is currently twelve years old, though I’m not sure if that will change or not). The story is completely planned out, but rather simple compared to the previous story I was working on, Atarius Destory This World. The story is based on a bunch of elements from a bunch of other stories I’ve been plotting in the back of my mind for quite a few years. All the elements just sort of collapsed together in my mind, like gravity forming a star in a nebula. (What a great simile!)

The story is about the last sorcerer in the world, a twelve year old who hardly understands how to use his powers, who must save a kingdom from an ugly invasion. It will hopefully be the beginning of a series, which is thinly planned out.

Right now my wordcount is at around 5,500 words. Though I’m still a slow writer, I will say that this is so far the easiest story I’ve worked on, perhaps because so many of the elements have been floating around in my mind for so long. We’ll see how long it lasts… but for now it’s quite exciting.

Animated Harry Potter (with a little blood)

If you can stand Harry and Hermione kissing nakedly in a dark magical cloud, then I think you can handle some animated blood, yes?

I think I prefer the animated Harry Potter (or I guess “Harrey Podder”) to the live-action one! This is some wonderful animation by artist and animator David Stodolny. I especially love that last sequence; the character design of Voldemort is awesome, and turning Harry Potter into a bunny is quite an unexpected and sinister thing for the Dark Lord to do. In 2D, you can do so much more with the silhouette than you can in 3D, in terms of making its lines follow more graceful arcs and squashing and stretching of overall shapes. But I guess with 3D you get more tactility with more realistic surface lighting.

Anyway, fun stuff.

I kinda wanna see the entire Harry Potter series remade with a cast of animated bunnies…

Got a Wacom tablet… and other random things I’d like to say at this point in time thank you very much and how long can I make this title anyway? I guess this is too long already so I’ll just stop

Animation studies

Whew, busy month! It’s week 3 of class 4 of Animation Mentor. Last week I got through blocking out another practice shot, which I’m continuing to add breakdowns to and I hope to start splining soon; next week will consist of polishing. I’ll upload a video eventually… maybe.

Drawing

In other news revolving around the self, I bought a Wacom Intuos4 Medium Pen Tablet! I can’t draw very well at all, but this device should at least make it much more fun and convenient to practice, if I can ever find the time. (I am still quite interested in learning the craft.) But it’s also great for animating in Maya; it’s just easier to move around the screen than a mouse. There’s so much more precision you can get in your cursor movements, and it’s much more comfortable for the arm, hand, and wrist when you’re animating for hours on end (though my back posture is still awful since I have no way to get a monitor at eye level or higher). I really should’ve bought one earlier.

I also bought Stan Lee’s How to Draw Comics, which I’ve been scanning through. It seems to give a great beginner’s overview of the comic-drawing process, but I wish it went into more depth; it sort of just touches the surface of a bunch of topics. It’s still nice as an intro, but I’m going to want more eventually… If anyone out there knows of any good drawing books, let me know! Especially if they’re oriented to the more cartoony side. Or good drawing videos on YouTube… I found a few, though I haven’t spent any time with any of them.

My eventual amibition (perhaps years or decades down the road, if I actually put in the practice hours), aside from trying some simple 2D animations, would be to write and draw a graphic novel. Maybe even turn the novel I’m writing now into a graphic novel; it’s very visual, especially since it takes place in non-Earth worlds. It could be so much fun to come up with a look and feel for different worlds, yes?

I don’t have any fancy drawing software like Photoshop yet, but since I’ll just be practicing, I can probably just make do with some simple free programs.

Google plus

Thanks to Luke for Google plus invite! A while back, somewhere, I blogged about how Facebook needed to allow you to “follow” strangers and celebrities as you can on Twitter, instead of having to mutually friend everyone. Google plus allows just that, along with privately organizing friends into “circles.” For example, you could group some friends into “old annoying high school classmates.” Then you can easily hide their boring annoying updates and shared links, hide your own updates from them if you want, and they’ll have no idea that they’re in such a group. I wouldn’t be surprised if Facebook soon steals this concept.

So I like the overall concept of Google plus; it’s just the kind of social network I want. But they still need plenty of more features (something like Facebook’s “fan” feature, “tag” feature, verified celebrity accounts, integration with more stuff so it’s easier to share links, etc.) and more users, and if it doesn’t get them soon enough, people will lose interest and it’ll quickly become archaic. I’ll be interested to see where it goes.

Hugo trailer

The trailer for Hugo (based on the book The Invention of Hugo Cabret) came out recently. Aside from some awful cheesy dialog here and there and some awful cheesy feel-good pop music accompaniment which does not at all go with the magical mysterious spirit of the book, the trailer looked interesting. Visually, it was quite good; I think they really captured the look and feel of the world, and the casting seems good. I hope Howard Shore’s score suits the film better than the trailer music. Shore is responsible for the brilliant Lord of the Rings scores, but most of his other scores have been more standard; I hope his work for Hugo is more melodic and fantastical. I look forward to hearing what he’s come up with. And I do hope to see this film in 3D.

Cars 2

I saw Cars 2 the other day. Despite hearing many bad reviews, I thought it was good! It just doesn’t try to make you cry like many other Pixar films do, which is fine with me, because those sentimental moments tend to seem forced and cheesy to me anyway. (Finding Nemo and Ratatouille are the ones that really work for me; the beginning of Finding Nemo just gives me shivers, as does Ego’s flashback.) But the story was fun and the humor, though sometimes corny, had me laughing out loud like a big dork. (“That’s right Mater, you are the bomb!”) Overall, the movie reminded me of being a kid playing with toy cars. You don’t imagine them going through some Doc Hollywood story about a small town in troubled times; you imagine them racing and shooting and crashing and falling off cliffs and flying, and that’s what Cars 2 delivers; it’s what the first Cars should’ve been. Pixar is still standing strong in my books.

(Although that Toy Story short that preceded the film was as awful as watching the Disney Channel.)

The Lion King 3D

Preceding Cars 2 was a trailer for The Lion King 3D rerelease. I have mixed feelings about it. Some scenes looked really awesome in 3D, when they were really able to separate the different layers. Other scenes just look funky, especially facial close-ups. It looks like they just “bubbled” the characters, stretching them out in one direction for one eye, and the opposite direction for the other eye. The overall effect is: “Uh… hmmm… huh? Eh…” My overall judgment: Disney, you either have to put more effort and money into 3D-izing something like this, or forget it. But I’m a hypocrite, because I’ll probably still go see it.

Animation Mentor, new camera, and LOTR on blu-ray

Last night at 12 AM I had my 2nd first Animation Mentor Q&A, and it was awesome. The mentor, David Weatherly, was great, as were the classmates. The mentor’s actually from Virginia and went to Virginia Tech, one of the universities I had been accepted to and was thinking about. He’s currently at Dreamworks, which is a bit envy-inducing (in a good inspiring way) when he mentions how great the working conditions are.

Anyway, it’s so far shaping up to be a fun semester! Then again, I haven’t started doing any of the work yet, so I hope I don’t stink too much…

I also bought a couple things yesterday. Bought a new camera, the Canon PowerShot SX130IS. It’s not nearly the super-fanciest camera in the world, but for my simple purposes, it will work wonderfully. It’s great at auto-adjusting to almost any lighting conditions, whereas my cheaper camera can’t deal with lack of light very well. It’s also great at focusing on very close things; you can put something up to almost the lens, and it can get it in focus. It also shoots video in 720 HD, which will be great for shooting animation reference. My only complaint is that it seems to suck up battery life, especially when shooting videos. None of that may seem all that impressive to those of you with very high end cameras, but I’ve only had much cheaper cameras up until now.

I also bought The Lord of the Rings: The Motion Picture Trilogy Extended Edition on blu-ray. They had a good deal for it at Best Buy, so I cancelled my Amazon.com order for it and picked it up. Testing it out, it looks fantastic. It looks a little too good, in fact; you can notice some special effects mistakes. For example, when Gollum gets the ring at the end of RotK and the camera zooms out above him as he’s happily looking up at the ring in his hand, his feet wobble unnaturally in front of the ground; you can really tell how he was inserted digitally into the scene. There are also plenty of scenes in which you can really get that blue-screen effect, in which the edges of the characters are strangely blurry and the lighting doesn’t quite match. Actually, that happens on the DVDs too, but I think it’s even more noticeable on blu-ray. But I don’t think anything is so bad that I won’t be able to enjoy it. Overall, it still looks fantastic. I can’t wait until I have time to watch them… I’d love to try watching all three right in a row, though I know that will take all day.

Animation Mentor – Semester 4!

After a 12-week leave of absence, Animation Mentor has started again for me!

Probably the worst thing about Animation Mentor is when they assign you a Q&A time that’s difficult or impossible for you to make, even though you requested to avoid that Q&A time. They gave me a Q&A time of 3 PM on Tuesdays, right in the middle of my job’s Tuesday hours. Animation Mentor will let you switch Q&A times with another student if you can find one, but if you can’t, tough luck for you. And I couldn’t; it seemed there were several students who wanted to swap out of 3 PM Tuesdays. So I thought I’d have to try to get my hours at work switched, which tends to be quite an annoying problem.

Anyway, my mentor was animator Jay Davis and I went to the first Q&A yesterday and it was awesome. Jay Davis was great, and the group was full of students from all over the world, UK, Hong Kong, Switzerland, etc., so it was a lot of fun. But just as the Q&A was finishing up, I got a message from a student willing to swap his Q&A time of Wednesdays at midnight, forcing me to make a quick decision. I was really looking forward to Jay Davis and the international class, but swapping to late Wednesdays completely elliminates having to find subs every Tuesday, so I made the swap. So now I’m looking forward to another first Q&A tonight at midnight with animator David Weatherly!

In other news, I went to a special event at the movie theater last night from Fathom Events. They were playing Lord of the Rings: The Return of the King Extended Edition. Nothing like seeing a big epic film like that on the big screen. Unfortunately about an hour into it, the power went out. We sat waiting in the theater for 25 or 30 minutes before the manager came around and said they had to close the theater. Ugh!! We got a refund, but since that was a one-night only event, I don’t know if that’s a chance I’ll ever get back… at least not until I’m rich enough to own my own big screen or have a rich friend who does. Leaving the theater, it was obvious that power was out for many of the surrounding shops, so lots of businesses probably lost some profits. Some traffic lights were also out and there were cops lining the roads. A storm had passed through, but by the time the theater was closed, the skies were clear and actually sported a rainbow. It was as if God was saying “Leave the fantasies of your mind’s eye and see my rainbow!” Though in my opinion, LOTR > rainbow.

So I sadly went home wondering why such suffering must exist (because being kicked out of a theater is one of the worst tragedies that can befall man), and finished watching the film on DVD. The blu-rays of the extended editions should be out now, so I have to wait for Amazon to ship mine (they take their time when you request free shipping), and then I’ll probably watch the whole trilogy yet again, if I can ever find the time.