If one asks why the heart pumps blood, one could answer in two ways:
A. The heart pumps blood because because the brain sends electrical signals to it that make its muscles contract. Or,
B. The heart pumps blood to deliver nutrients and oxygen to cells and to whisk away their waste.
In philosophy, Aristotle would say that an answer like A is the efficient explanation, a sort of cause-and-effect answer. These are the events that happened before that which we are seeking an explanation for, which we identify as its causes. (It tends to come naturally to us humans, and it seems easy enough to understand, but there’s something I find rather mysterious about it. After all, how could we program an AI robot to form such explanations? Can they only be formulated by observation and experience?)
An answer like B Aristotle would call the final explanation, the end toward which the action is directed.
Now suppose I want a cold soda. I must use my understanding of efficient explanations to create (or at least recall) a set of ordered actions I would take to get that soda. I get up, go to where we keep cups, put ice in it, etc., everything done for the desired end of drinking a cold soda. If something does not as planned, I must edit my set of ordered actions. Perhaps we are out of cups in the cupboard, and I must get one from the dishwasher. Or perhaps we are out of ice and I have to leave a can of soda in the fridge for a while, or drink it warm, or drink something else instead.
Of course, there are all sorts of fun theological discussions to be had concerning the relationship between efficient and final explanations. Final explanations do not exist physically, after all; they are, by their nature, abstract, like thought itself. Perhaps one could say that they can only exist in a conscious being. Still, I could program an artificial neural network to teach itself to do some task, like read numbers. Upon studying the results, I may discover that some section of the network achieves some end needed for the final result. For instance, perhaps a part of the network recognizes the presence of a horizontal line. Now I could say that this portion of the network has the recognition of a horizontal line as its final cause, yet this portion of the network was not created by a coder, but is instead the byproduct of the efficient causes (the training of the network) put in place for the sake of some other final cause. In other words, though we as intelligent beings may recognize that something, like a portion of a neural network or a beating heart, appears to have a final cause, it does not imply that that system was necessarily created by an intelligent consciousness. It may be an emergent property. (Which isn’t to say that it isn’t part of another grander final cause (evolution can be part of a God plan), only that the recognition of a final cause is a conscious abstract act. Does that make sense?)
Anyway, I’ve recently been thinking about this stuff in terms of writing fiction, because an author naturally thinks about these things when plotting a story. Maybe not in a philosophical sense, but we give our characters goals, and we ourselves may have a certain climax or ending or theme in mind (final causes), and then we must order things together naturally so that one event leads to another (efficient causes) and the plot moves toward the ends we desire.
But when I plot out a story and work from an outline, there’s always a bit of joy lost in the writing process, and it can sometimes feel a chore; I know to what end everything is leading, and keeping it in mind so often can lead to boredom, and I find myself wanting to plot a new story rather than finish writing one.
On the other hand, whenever I try writing without an outline, I quickly write myself into corners, or I keep adding new plot lines and characters and the work becomes an unfocused mess.
So I’m searching for a happy medium. Is it possible to write without an outline and without knowing the final cause, yet being sure that the story will indeed come to a satisfying conclusion, as though I had been planning the climax all along? If so, how?
I think it is possible, but I’m not quite sure how to do it yet… (I suppose one could write backwards, but I think that comes with more problems than its worth.)