This is the new blog! Hope you like this new WordPress version! As you may be able to see, I was able to import all my old posts so I’m not starting over completely from scratch.
Perhaps the most significant change to this new blog is that I’m now trying to make a little podcast out of it. Hearing a voice may be somewhat more interesting, or at least more fun for me to produce. That said, I’m sure I won’t be able to record something for every single post, just as I know I can’t post every single day, but I’ll see how it goes.
I got my 2nd rejection slip of ’08 earlier this week for my short story Oberon’s Paradise. I have three or four more magazines I want to try selling it to, then I don’t think I’ll be able to resist the urge to just podcast it with some incidental music, as I think that would be fun to create. I have a few other short stories I’m working on, but nothing near completion yet. And I should really get back to writing my other two novels as well sometime.
Also earlier this week, I found a very interesting video on YouTube with game designer Will Wright and some musician that I’ve never heard of. They were talking about generative systems, which Wikipedia calls “systems that use a few basic rules to yield extremely varied and unpredictable patterns.” So, they are basically systems which are good at producing emergent properties. The video from YouTube is just a clip from a much longer talk they gave (available to see here) which I could not resist sitting through. In the longer video, you get to see Will Wright talk about the role of generative systems in games and, more specifically, in the upcoming game Spore. He also touched briefly on the subject of applying generative systems to narrative stories, which I also thought was pretty fascinating.
Anyway, this is the YouTube clip.
One other thing that caught my attention in the longer video. Take a look at what they say about music:
Will Wright: Can you imagine any sort of even this past computational filter that would pre-listen to the music, analyze the structure, look for a pattern, whatever, that would at least prune out the 90% that you obviously don’t want to listen to and let you focus your efforts on the 10% that has some promise?
Brian Eno: Would you like to work on that for me?
Will Wright: Sure, I would love to. You just have to give me the algorithms, I’ll cut it right up for you.
Brian Eno: No, it’s, funnily enough there’s been a lot of research into that, because you know there are always people trying to figure out how you write a hit.
Will Wright: Oh, I see. Formalizing the–
Brian Eno: Something I wouldn’t mind knowing about.
Will Wright: The hit generator.
Brian Eno: So there’s been all sorts of attempts to do that, but they’ve been astoundingly unsuccessful so far.
I would agree that for the most part, most people exploring that area have been unsuccessful (though I honestly believe it’s only a matter of time) but I wonder if Mr. Eno is at all familiar with David Cope’s awesome work? His computer program doesn’t write music in exactly the way Will Wright describes, but I’d still say Cope’s program is, in a way, a form of a generative system.
So, as I have started writing a book on the art of melody (or started planning it, really), I think I will definitely explore the subject of a generative system for melody. I’m not sure I’ll do anything really new, but it must be a fascinating area of study.
Oooh, I just visited Mr. Cope’s site, and it looks like he’s got two free rough-draft books up temporarily, one on musical suggestions for beginning music students and one on … of all things, board games! Games, music, generative systems, it’s all related! I love it!