Music composition

The Storm Cometh

Composer Cloud

I recently realized EastWest libraries offer a subscription service for their (otherwise very expensive) sample libraries called Composer Cloud, so I subscribed and have been experimenting with what their libraries have to offer. Here’s a short piece I recently wrote completely with some of their libraries (mainly Hollywood Strings, Hollywood Brass, Symphonic Choirs, and StormDrum):

I still have plenty left to experiment with, but so far I really like their Hollywood Strings, Hollywood Brass, and Symphonic Choirs libraries (though I doubt I’ll have the patience to use their word builder any time soon; ooh’s and ah’s are fine with me for now). And of course StormDrum has some great film-score-ish percussion available. They’re hard to resist playing with, even though I fear they may sound a bit cliche and generic these days. Oh well, too bad, I still want my turn to play with them! I’m not so impressed with their woodwinds, though; they sound pretty bland to me. I haven’t installed Garritan Personal Orchestra on this new computer of mine yet, but I hope to. I definitely prefer GPO’s woodwinds, which sound much more lively and real to me. Same goes for GPO’s harp. I also need to put my Bela D Media Celtic Winds on this computer so I can try mixing in some Irish whistles perhaps, or uilleann pipes.

Anyway, hope to write more music soon! I’ll probably write more pieces around the two minute mark. It’ll allow me to experiment a bit more, plus two minute tracks have a greater chance of being licensed I guess.

By the way, I hope you appreciate my harmony in the above composition; it may be subtle, but I tried some techniques I’ve never tried before, like going from a G# minor chord to an E minor chord for that eerie (perhaps cliche) film score-ish sound. I also use some suspended and augmented chords somewhere in there too, albeit rather subtly. Trying to expand my harmonic palette. You should be proud of me.

By S P Hannifin, ago