Interesting movies for 2011

Here are the 2011 movies I’m most interested in. Some I definitely want to see in theaters (the ones with a star), and some I just want to keep an eye on and I’ll decide after watching previews and hearing other people’s reactions. (Animated films I almost always want to see in theaters.

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March 4, 2011 – *Rango – Industrial Light and Magic finally tried its hand at animating its own feature instead of just doing effects work. I’m very interested to see what they’ve come up with. The movie seems to be about a chameleon who goes on and wild west adventure of some sort…

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March 11, 2011 – *Mars Needs Moms – These motion capture films always look a bit wonky to me, but I do have a special place in my heart for 3D CGI spaceships.

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April 1, 2011 – Source Code – IMDb says: “An action thriller centered on a soldier who wakes up in the body of an unknown man and discovers he’s part of a mission to find the bomber of a Chicago commuter train.” Supposedly when he fails the mission, he gets to go through it again, so it’s like Groundhog’s Day sci-fi thriller style. Or maybe not, who knows… but it definitely sounds interesting.

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April 15, 2011 – *Rio – Finally some new stuff from Blue Sky Studios! Supposedly the plot of Rio was too similar to Pixar’s previously planned film Newt, causing its cancellation; the film is about a bird of rare species who must breed to save his kind. Nothing like an animated romantic comedy to make forced arranged marriage seem OK. But I have no idea if that’s really the story or not…

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May 20, 2011 – *POTC: On Stranger Tides – Yes, I know the sequels were awful, but maybe the absence of certain characters will be a blessing for this one. Plus I want to see what it’s like in 3D.

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May 27, 2011 – *Kung Fu Panda 2 – I actually haven’t seen the first one yet, but I’ve heard a lot of good things about it from my animation friends, so I will be sure to check this out.

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June 10, 2011 – Super 8 – I don’t know why J. J. Abrams thinks it’s so cool to not reveal plots before the movie comes out. I don’t find it interesting or compelling, I find it annoying. Maybe he doesn’t want people to pre-judge the logline, or maybe he just likes the mysterious attention it gives him? Anyway, the teaser during the Super Bowl looked interesting, so I’ll keep a watch on this one.  Personally, I think this is a film based on the classic Magic 8 Ball toy and has nothing to do with cameras, though I did find this description online: “Set in Ohio in 1979, the movie follows six kids who are using a Super 8 camera to make a zombie flick. One night, they end up filming near a set of train tracks and capture a calamitous wreck — the same one first revealed in last year’s teaser trailer — and the alien creature that emerges from the wreckage.”

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June 24, 2011 – *Cars 2 – It’s Pixar, so I have to go, even though the idea of talking cars still seems too “Putt-Putt” for me.

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July 29, 2011 – *Cowboys and Aliens – Because it’s cowboys and aliens. (So that’s where Thirteen has been…)

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October 28, 2011 – Now – From the director of the awesome sci-fi film Gattacca, this sci-fi film takes place in a world where people stop aging at 25 (why, that’s my age! ZOMG!), but then they die at 26 or something weird. And then this guy gets accused of murder or something. The details are sketchy to me. But I definitely want to see this one. (So that’s also where Thirteen has been…)

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November 23, 2011 – The Muppets – I love the Muppets, but The Muppet Christmas Carol was the last good Muppet movie. Disney bought the Muppets and I’m sure they want to do something with the franchise. I just hope they can keep that “Henson charm” even though Henson has been gone for so long. These characters are so easy to ruin with the wrong kind of humor.

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December 9, 2011 – *Hugo Cabret – My family members were reading the book and recommended it to me. A children’s book?! I scoffed at such an idea. OK, not really. I started reading it, and was immediately pulled in to the magical mysteriousness of the world and the characters. It is truly a fun book, almost like Victorian steam-punk. But what really excites me about the movie is that it will be directed by Martin Scorsese, who is awesome.

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December 28, 2011 – Adventures of Tintin – I’m not sure about this at all, but it’s a Steven Spielberg directed motion capture animation, I think? I’ll be interested to see what it will look like, but I won’t hold my breath for a compelling story.

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Sometime 2011? – Power of the Dark Crystal – A sequel to the 80’s film Dark Crystal? It sounds interesting, but it would be easy to come up with a lousy story, so I hope they’ve got something compelling… IMDb says: “An evil mysterious girl named Thurma made of fire who lives in the blazing center of the planet steals a shard of the crystal in hopes of reigniting the dying sun! There is only one thing powerful enough to heal the star – a shard of the crystal.” Um… OK. Hmmm… and please don’t overdo the CGI. Keep it looking tangible?

Overall, looks like a fun year for movies!

UPDATE: I almost forgot, *Atlas Shrugged: Part I is scheduled to come out this April.  I’m hoping there will also be a part 2?  While I think the book is great, I have to admit that I don’t have a lot of faith in a film version; I just don’t think it will translate well.  It would be better as a TV miniseries.  Still, I’ll definitely watch it.

Oh, and I’ll also be looking out for *Death Note, based on the manga series.  (I never actually read the manga, though I’d like to someday; I only watched the anime series based on the manga series, which is awesome.)  The story revolves around a student who finds a powerful book (the “Death Note”) that allows him to easily kill people by writing their names in the book.  He can also control how they die (with limits).  So he sets off to use the book to rid the world of evil; what a lofty noble goal!  Meanwhile, the police realize something extremely weird is going on, and try to hunt him down.  This has the potential to be a brilliant film, but it also has the potential to be completely awful.  Not just because it’s easy to hire awful writers, but because the material itself is kind of… delicate, in my opinion.  That is, it’s easy to get the spirit of it wrong, if that makes any sense.  Anyway, I’m predicting this will actually be pushed back to 2012 or later or never, because I don’t think there have been any developments on the production at all; I think it’s currently in limbo?  We’ll see.  The franchise is popular, so I don’t think they’ll forget about it completely.  I just pray that they use some of the O Fortuna-esque choir music themes they used in the anime, but they probably won’t just to make me angry.  And really, to do the entire series justice, there should be at least a trilogy of films, but I’ll doubt they’ll do that.

Finally, I do want to see what Pixar director Brad Bird handles live-action with Mission Impossible: Ghost Protocol.

And there will be a Happy Feet 2?

What else did I miss?

Some Christmas gifts…

As they say: “Christmas is when you get stuff! You need more stuff!”

Well, Christmas is over… it came and went as fast as a day goes by.

I got some great stuff – here’s a picture! Here are my favorite gifts…

Dollhouse: Season Two [Blu-ray]. I only saw two episodes from the second season, and then the show got cancelled and I decided to just wait until it came out on DVD… or blu-ray in this case. So I’m really looking forward to watching this.

Drawn to Life: The Walt Stanchfield Lectures Volume 1 and Volume 2. These books are about drawing for animation. But even if you’re like me and stink at drawing, these books are still very interesting, and many of the principles still apply to 3D animation. I checked the first volume out from the library and read the first 30 pages a few months ago and knew that I definitely wanted to own them. I can’t wait to read more.

To Infinity and Beyond!: The Story of Pixar Animation Studios. The story of how Pixar began. Unfortunately it ends at Cars, I think, so it feels like there should be a sequel in another decade or so. (I suppose it’s always better to wait for a couple decades when people are more willing to talk about past projects more openly.)

Speaking of animation history, Waking Sleeping Beauty is a must for all animation lovers. It’s not really about animation itself, but the business and the people behind it; more specifically about the Disney animation studios from about 1984 to about 1994. It is very interesting… one of the highlights are animator Randy Cartwright’s home movie studio tours, in which he strolls the halls and nonchalantly introduces future-big-names, like a young Tim Burton, Glen Keane, Joe Ranft, John Lasseter, Eric Larson, and some guy who asks if he’s allowed to be recording with that camera. It’s an awesome gem. I wish it was longer! Oh, there’s also part of a lecture by Howard Ashman on why he thought musicals went so well with animation, which was very interesting. I wish I could’ve heard the whole thing!

The How To Train Your Dragon score. It’s just awesome.

Inception: The Shooting Script. Because it is also awesome. Has some great handwritten notes by Nolan, an interview with him, and some concept art. A true Inception fan should get it.

Great stuff! Woohoo!

Pan and Worldshaker … future movies?

I also found this article to be interesting:

If you saw Harry Potter and the Deathly Hallows – Part 1 this weekend, then you most likely marveled at the gorgeous animated sequence where Hermoine tells the tale of “The Deathly Hallows”. … Variety is now reporting that the director of that sequence, Ben Hibon, is attached to direct the fantasy action thriller Pan. Based on a script by Ben Magid and originally set up as a directing vehicle for Guillermo del Toro, “The film puts a dark spin on J.M. Barrie’s Peter Pan with Captain Hook as a haunted former police detective in pursuit of a childlike kidnapper.”

Hibon, along with his producing partners Renee Tab and Tarik Heitmann, have also optioned Richard Harland’s steampunk novel, Worldshaker.

That Harry Potter animation was the best part of the otherwise disappointing film. (The nude kissing was the worst part; entirely inappropriate for a Potter film; it’s awful how they’ve been trying to sexualize these stories, shame on you filmmakers! Shame shame shame!)

Anyway, Pan sounds very interesting, I look forward to it.

Worldshaker sounds even more interesting. I now really want to read that book. Then again, Hollywood tends to mess up steampunk-type books, like City of Ember and The Golden Compass. Something stylistically they just can’t get right about it… though they might actually get Hugo Cabret right, considering its director, who usually knows how to make a good movie.

No more princess fairy tales for Disney?

I found this article to be interesting. It states:

Once upon a time, there was a studio in Burbank that spun classic fairy tales into silver-screen gold.

But now the curtain is falling on “princess movies,” which have been a part of Disney Animation’s heritage since the 1937 debut of its first feature film, “Snow White.” The studio’s Wednesday release of “Tangled,” a contemporary retelling of the Rapunzel story, will be the last fairy tale produced by Disney’s animation group for the foreseeable future.

Actually, I think most of the “princess-ness” of Disney came about in the 90’s with The Little Mermaid, Beauty and the Beast, Aladdin and Pocahontas, all released in less than a decade, and all following a similar Broadway-influenced romantic comedy formula. I’m sure Walt Disney himself never meant for his company to be defined by fairy tales or princesses. They did Snow White in 1937, then didn’t do Cinderella until 1950, and didn’t do Sleeping Beauty until 1959. That’s only three princess-oriented fairy tales done in old Uncle Walt’s lifetime.

The article mentions that their Princess and the Frog didn’t do as well as they’d like. I haven’t seen the movie yet, but looking at the previews, it certainly didn’t look that great. It was tauted as introducing Disney’s first black princess just as the nation was getting its first black president. A film decision like that should never be made for political brownie points. And they were, dare I say, racist, playing to stereotypes and setting the film in New Orleans and making the music score jazzy. The film shouldn’t have been set in America at all. Unless the intent was to make the movie about racism (which I doubt, and there are already plenty of movies about that), the movie should’ve treated the princess just like any other princess.

Anyway, I digress. My point is, I don’t think this news is really all that breath-taking. It’s natural. It’s obvious.

I think it’s kind of silly to guess at what the public wants, because I don’t think you really can know, beyond certain genre generalizations. Like “vampires are popular now” or “wizards are popular now” … but that doesn’t tell you what sort of story people would be interested in seeing, or what sort of stories they would not be interested in seeing.

I think filmmakers should step away from looking at the profit numbers (as long as there’s a profit at least) and just do whatever interests them the most, whatever story gives them goosebumps just thinking about. The audience does matter, but only to a certain degree… not to the degree of dictating what sort of film to make next. Really, audiences have no idea what they want.

Not that that’s not what Disney is doing. I can’t really tell from the article what they’re doing; who knows how they’re making their decisions?

Oh, and did they really want “Tangled” to appeal to boys? Firstly, its style is all wrong for that, from the colors to the guy’s facial hair pattern. Secondly, the preview doesn’t show enough thrilling action. Instead it shows “Here comes the smolder…”

The article also mentions that they’re no longer doing Hans Christian Andersen’s fairy tale The Snow Queen. Though it’s been dramatized before, I’m rather happy about this. Firstly, I’d hate to see the story Disney-ified. The story has a darkness to it that Disney (or Pixar) would probably ruin, even if they ruin it well. Secondly, I’d like to do it myself. Not ruin it, that is, but turn it into an animated feature. I guess there’s really not much of a chance of that, but if Disney had done it, there’d be no chance, so at least now there’s a one billionth of a percent chance.

How to Train Your Dragon

How to Train Your Dragon came out on blu-ray yesterday. I missed seeing it in theaters, looks like it would’ve been fun to see in 3D. Anyway, I had heard great things about it from other animation students and it didn’t disappoint; it’s a really fun film with some great flying dragon epicness. It also has the best film score I’ve heard this year, as you can hear by this sample (if it hasn’t been removed for copyright violation yet), music by John Powell:

And here’s just a little talk with some animators from the film who graduated from the animation school I’m currently attending, Animation Mentor:

Finally, here’s a podcast interview with the directors of the film. Fun stuff!

Beauty and the Beast also recently came out on blu-ray, and it looks fantastic; blu-ray is truly the way all 2D animated films should be seen. The clarity of the drawings are just awesome. You can really see the pencil markyness like never before. And the backgrounds also look especially vivid.

Legend of the Guardians

I saw the animated film Legend of the Guardians the other night.  Seeing a movie like that late on a Tuesday night, I had the entire theater to myself!  A reminder of what it’ll be like when I’m rich!

Anyway, visually, the movie is one of the most beautiful animated films ever made; the fantasy world with giant trees and mountains is just so… welcoming.  You just want to fall into it.  They also did an amazing job with the feathers and fur on the creatures.  The character design was also fantastic, and they’ve done something no other animation studio has done (that I can think of); they were able to find this wonderful balance between the stylized and cartoony design, which allow you to read a facial expression on non-human creatures, and realisticity.  These animals (mostly owls) don’t look Disney-ified (or Pixar-ified), which leans to the more cartoony side.  Yet they definitely don’t look like real owls either.  To me, the balance they came up with is just awesome.

And, should you desire to see the movie yourself, I do highly recommend the 3D version.  I know a lot of people don’t like paying extra, but to me it’s worth it, it just looks some much richer, more tangible.  Some say it’s distracting.  Well, you can be just as distracted by any aesthetically beautiful non-story element, so what does that matter?  As long as it’s not distracting because it’s awful… and it’s not!

Oh, some of the action sequences reminded me of the movie 300… which I suppose makes sense, since these movies were directed by the same guy!  Zack Snyder.  He loves those epic action slo-mo closeups.  Really fun style.  According to IMDb, the director is working on a sequel to 300 called Xerxes.  I usually don’t much like the idea of sequels, but I do hope there is a sequel to Legend of the Guardians.  It seems like there is still more story to tell here… unfortunately I’m not sure the film will make enough money to warrant a sequel.  We’ll see…

Finally, I loved the 3D animated Looney Tunes short before the film!  My only complaint is that it was too short!  But I hope they continue the trend, and bring back even more animated shorts before films, even for non-animated films.  Pixar has always done it.  (Except for Toy Story, I guess.  And they sometimes cheated and used shorts they had made in the 80s.)  Anyway, film distributors should bring back the tradition!

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Secret motivation from Inception

Animation study progress

It is now week 6 of Animation Mentor! After this week, I’ll be halfway through the first semester! I am definitely learning a ton, but … WHEW! … I am finding this to be quite hard stuff! Definitely takes time and patience. But it’s also fun. It’s not like high school or college work which was mostly useless. Here are my assignments from weeks 4 and 5:

Inception

I saw the new film Inception on Sunday night, and I thought it was fantastic, one of the best movies ever made. Don’t worry, I won’t give any spoilers. I’d love to say some things about it, but I’ll wait until it comes out on blu-ray, then I’ll post a more spoiler-ish review. Of course, it helps if you like sci-fi pertaining to dreams. In some ways, it was kind of Philip K. Dick-ish, in its “is-this-reality?” kind of way, but with much more action, and a more direct plot. So if you like sci-fi, or any of Christopher Nolan’s other movies, you better go see this movie. It’s just brilliant.

Inception in relation to motivation

The word “inception” means … what, you don’t know? … it means “origin: an event that is a beginning” … in the movie, “inception” refers to the act of giving someone else an effective idea in their dreams.

Chapter 5 of The Talent Code (which I’m still reading) is called “Primal Cues” and it’s about what motivates someone to put in the long hard hours of deep practice to master a skill. Deep practice takes a lot of mental focus and effort, and is quite tiring. So must of us don’t do it if we don’t have to, which we usually don’t.1 So to do it, you more or less have to really want to do it. As Coyle says in the book, you have to be willing to suffer through it now, keeping in mind the rewards later.

Where does such motivation come from? It’s hard to know. When asked, masters or those partaking regularly in deep practice don’t really know themselves; they say things like “I’ve always been interested in this” … which of course just encourages the notion that potential interests lie somewhere in DNA.2

This chapter doesn’t necessarily make the issue less complicated. If anything, it makes the issue seem even more complicated, by showing how interests, which seems so innate and unchangeable, can indeed be affected by outside sources. On pages 110-111, Coyle writes:

They [Dr. Geoff Cohen and his colleague Gregory Walton] took a group of Yale freshmen and gave them an innocuous mix of magazine articles to read. Included was a one-page first-person account of a student named Nathan Jackson. Jackson’s story was brief: he had arrived at college not knowing what career to pursue, had developed a liking for math, and now had a happy career in a math department of a university. The story included a small biographical profile about Jackson: hometown, education, birth date. The article, like the others, was utterly forgettable–except for one microscopic detail: for half the students, Nathan Jackson’s birth date was altered to exactly match the students’ own. After they read the article, Cohen and Walton tested the students’ attitudes towards math and measured their persistence; i.e., how long they were willing to work on an insoluble math problem.

When the results came in, Cohen and Walton found that the birthday-matched group had significantly more positive attitudes about math, and persisted a whopping 65 percent longer on the insoluble problem. What’s more, those students did not feel any conscious change. The coincidence of the birthday, in Walton’s phrase, “got underneath them.”

When I first read this I thought… aha, they’re using inception!! Non-dream inception, yes, but it does seem like sub-conscious inception.

Coyle goes on to argue that a factor that strongly affects motivation is a “feeling of belonging” … feeling you’re part of a group that partakes in a particular study or activity. The shared birthday, it seems, would make a student imagine being in Nathan Jackson’s shoes and relate to him. Which is why it’s also important that Jackson came into college not knowing what to do. If Jackson said he had been into math all along, and had won prestigious math competitions in his youth, my guess is the effect would be not nearly as strong. Also, it has to be subtle. If the students knew what the experiment was about, they’d probably be too self-conscious for the experiment to work the way it did.

When I was in college I tried doing some research into the psychological “feeling of belonging” … I tried to find if there was any science behind it, how it could be used and affected, etc., but I couldn’t find anything at all. Too tough to study perhaps?

Another experiment Coyle mentions involved asking students one simple question before they started learning to play an instrument: “How long do you expect to keep playing this instrument? Through this year, through primary school, through high school, or for the rest of your life?” They took the answers, then compared them with how quickly the students learned and how often they practiced. You can probably guess the results: Students who practiced more got better faster, obviously. And students who felt they had made a life-long commitment also got better faster. As Coyle writes on page 104:

With the same amount of practice, the long-term-commitment group outperformed the short-term-commitment group by 400 percent. The long-term-commitment group, with a mere twenty minutes of weekly practice, progressed faster than the short-termers who practiced for an hour and a half. When long-term commitment combined with high levels of practice, skills skyrocketed.

I suppose when you start to think of whatever you’re studying as part of your identity, part of what makes you you, you’re studying is that much more effective. It means you’re really dedicated. If it’s just something you’re studying because your parents or teachers are making you, effectiveness goes down.

Anyway, The Talent Code continues to be quite an interesting book! And that’s all for today.

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1 Schools don’t make kids do deep practice either, unless it’s a specialized school. Schools instead force shallow practice. Actually, for the most part, I wouldn’t even call it practice, because students don’t use skills as they would in the real world. Instead they are taught things that can be put on paper and easily graded. If schools were to encourage deep practice, they’d have to have a lot more focus in their curriculum, and take a more hands-on approach, not just use a bunch of written tests. It’s amazing how many people (most people, it seems) support the education system out of tradition considering how ineffective it is, and how much they hated it when they were going through it themselves. “It’s better than nothing,” they say. OK, but it’s also worse than many better things. I’m obviously not proposing that schools should be replaced by nothing.

2 Stephen Sondheim, master composer and lyricist of musicals, once himself said in an interview that he believed his desire to compose (or his talent for composing or something) came from his genes. Upon first reading the interview, I thought “nah, I don’t believe that…” But then I came to think there might be some truth to it; after all, I have no idea why I started composing music. I just had to do it. (Not that I’m a master quite yet, of course.) Now I’m going back to not quite believing it again…

Movies and stuff and stuff

Been really loving my new Piccadilly notebooks (cheaper but just as good versions of moleskines)… if you want write or sketch or keep track of all your brilliant ideas that will never come to fruition, I recommend them. I mean, you could use ordinary paper just as well, it’s not like the notebooks will replace any talent you don’t have (though I’m sure you probably have some)… they’re just so aesthetically pleasing that they encourage you to use them. So I’ve found myself starting to plan out another fantasy story that I’ll probably never write…

Um… what else? It’s the start of a 3-day weekend, though I spent most of the day today sleeping, so my sleep schedule is completely off now. I’ll have to try staying up all night tonight to try to correct it.

I just went through one of my bookshelves and made sure all my books had my property stamp in it. It reminded me of all the books I bought but haven’t read yet. Meanwhile, I have all these books out from the library… and I keep getting half or a third way through a book and then moving on to another interesting looking one. So I’m going to purge my checked out library items and return some and see if I can read some of the books I actually own this summer. Then again, maybe not; I read out of interest, not ownership guilt.

Oh, I also started watching those old mystery movies I got, from the Mystery Classics 50 Movie Pack Collection. Watched the first one, so I’m 2% done! The quality is pretty terrible; these movies haven’t been restored or anything. But the first one, Bulldog Drummond’s Revenge, was actually pretty funny; I suppose it’s equivalent to one of the comedy detective shows that might come on nowadays like Monk. But it was made in 1937, when TV series weren’t really an option, obviously. Anyway, I think it will be fun to watch the other 49 of these…

Oh, I also watched The Imaginarium of Doctor Parnassus last night. My next few sentences might contain SPOILERS so look away if you haven’t seen the movie yet and don’t want to be spoiled…

The imagery and the uniqueness of the story and its world were pretty awesome. Some of the effects were a bit cheap, as in you could tell they were using blue screen sometimes with those fuzzy edges you get on cheap blue screen effects, but it’s amazing what they were able to do on such a limited budget. The thing that really annoyed me though was the ending. The ending was visually appealing, but story-wise, I just didn’t get it. The motivations and actions of the characters just became unclear and chaotic. It was just weird and unsatisfying.

Remember, writers, the two most important parts of your story (in my opinion) are the beginning and the end. (By “the end” I mean the story from the climax to the absolute end, not just the last scene.) The beginning should hook people (Doctor Parnassus definitely had a fun beginning), and the ending should satisfy them, revealing all mysteries and making *everything* clear. (I know some audiences don’t mind some ambiguity here and there, but I don’t prefer it.)

OK, that’s my blather for now…

Eye exam, Sleeping Beauty, blah blah blah

I finally made an appointment to see an optometrist this Friday. Need to get me a new prescription so I can get some new glasses. My eyes have gotten worse. Though I read somewhere that glasses help make your eyes get lazier and help make them worser. Oh well, I still need some. Right now the distance is a bit blurry even with my glasses on.

I also watched Sleeping Beauty on blu-ray today. Reading The Illusion of Life: Disney Animation makes me want to watch animations. And I’ve actually never seen Sleeping Beauty before. I must say, it looks wonderful on blu-ray, the way all films should be watched. What strikes me, probably because I’m watching it for the first time as a 24 year old, is how short it is. Only 75 minutes. If I had watched it as I kid, I’m sure it would’ve seemed longer, like all 75-85 minute movies did. Anyway, I ended up watching it twice, once just normally, and then again with the audio commentary (featuring a group of people who didn’t actually work on the movie). There are a bunch of special features on the bonus disc that I haven’t looked at yet, but hope to. (The best part of the movie: “This dress looks awful!” “That’s because it’s on you, dear.”)

Also had my first little Animation Mentor experience tonight: just a little Q&A session about what’s coming. So I got some more info on how the program will work, and got some questions answered. I listened for about an hour and twenty minutes, really excited, and then my connection started having problems. I’m not sure how long it went on afterwards, but I think every question I was curious about got answered. Can’t wait until it actually begins! Probably annoying for me to keep saying that…

This animation study, starting next month, might mean I don’t compose much, if any, music over the next year and a half, as my free time will go way down… but we’ll see. I’m sure I’ll still write a bunch of melodies though. I can’t stop doing that.

Guess that’s it for today…

Stuff I done gone and did terday

Hey, it’s my 300th blog post to this blog! In celebration, I will do nothing, because I do not want to seem arrogant towards those who don’t blog as much.

I finally finished reading Walt Disney: The Triumph of the American Imagination, a biography of Walt Disney. ‘Twas quite educational, since I really didn’t know very much about him or the history of his company. I might dedicate a future blog post to some thoughts on his life and work, but not tonight. I will say he must be a goldmine for biographers. He had a lot of influence, there are a lot of different opinions about him, and he got his hands into a lot of things. There’s a lot to write about.

I also bought The Illusion of Life: Disney Animation from Amazon earlier this week, and have started reading through that. I read bits and pieces of it in college from the library, and I know I browsed through it at some other point in my youth. I am wondering if we have an older family copy somewhere (though I don’t think so) or if one of our grandparents or relatives had a copy. But I just know I browsed through it years ago before college. Anyway, it’s full of wonderful pictures and art. I really wish it came with a DVD or something so I could watch the examples, but I guess that would only double the price. Anyway, as I’m trying to learn computer animation, this book seems like one of the must-reads.

And speakin’ of animation, next Wednesday night I’ve got my first Animation Mentor thing. Classes don’t officially start until near the end of June, but the thing on Wednesday is I guess a bit like an orientation. It will allow someone to give an overview of the structure of the course and the site, and will allow us future students to ask questions. Not sure I’ll have any questions, but I do want to test out the technology and the experience of doing one of these Animation Mentor meetings. So I’m looking forward to that.

Music wise, I’m almost finished writing the music for a documentary. I’ve got one cut left, and it will be a fun one to write. I’ll share more info (and maybe some music clips) from that when the project is actually finished.

I’m participating in a long Facebook conversation about the problems of college and high school education. I was going to post the conversation here, but it is still going on, and it is very long. Our plan now is to, at some point, organize our points and disagreements and write a book on the topic. Probably won’t get professionally published or anything, but I think would make an interesting book.

Finally, movie wise, I just finished watching The Men Who Stare At Goats. It was … uh … interesting I guess. Had some funny parts, but by the end I didn’t really get the point of any of it. It was like a very long joke. If there had been just a bit more humor, it might’ve been OK.

I also watched Where the Wild Things Are a couple night ago, which was actually better than I thought it would be (I had low expectations), but it was weird (and I imagine one could really psycho-analyze the heck out of it if they wanted). The director’s soundtrack choices did kinda make me think the Wild Things were a bit like hippies at some points, which made it weirder. But there some other very hilarious parts (Bob and Terry are my favorite). Overall, though, it was a bit soap-opera like, because all the Wild Things want to talk about their emotions and feelings rather than do anything particularly adventurous. Which isn’t necessarily bad, I still found it engaging, but I can understand why some mind find it boring. (What I don’t get is all the debate about whether it’s too scary or adultish for kids, which perhaps was played out for publicity. Or perhaps because it was based on such a famous picture book. But the movie itself didn’t push any thematic boundaries.)

And that’s what I’ve been up to lately.