Novel plotting and stuff

Midway through week 8 of Animation Mentor! This week we’re studying the basic walk cycle, so by Sunday I’ll have a basic walk blocked out; next week I’ll do the inbetweens. There’s a lot of stuff going on in a walk, so it does get a bit complicated, especially if you’ve never done it before, but it’s fun!

In other news, I’ve started plotting out my novel, The Designers, which won the poll a few posts ago. Of course, I don’t think I’ll call it that, but that will be its codename. I think it’s quite a strange book. I wouldn’t say it’s innovative, because nothing is innovative, especially if you think it is. But I guess I could say it’s innovative to me… there are a lot of thorny storytelling issues to deal with… how do I create danger for this character? How do I get this character to seem important to an audience? I’m kind of trying to challenge the traditional answers to these questions, though I don’t think I can really escape them. It will be interesting. (But not that interesting.)

(The other novel I was plotting a few months ago was The Protectors, which got no votes. That one still needs a lot more plotting anyway. For now, it will be put aside, along with all those plans I had made. Though I did say at the time I made them that I didn’t think I’d follow them. See, I was right!)

I’m also trying to keep the overall plot nice and short. My last few novels that I’ve planned or started writing (I’ve never finished one) were huge epics. OK, maybe not huge, but probably too complex for a first novel. So I’m trying to keep this one really short and tight. Just two or three character storylines with short overarching plots. Hey, I can write sequels if I want, let’s actually finish something first. For now, nice and short and to-the-point. I’m going to try to make the “epicness” come from the ideas, the plot, not the length.

To help me plan out the novel, I created a private wiki for myself, kinda like Hanniwiki, except it’s a top secret private one that I can’t tell you anything about. The secrets within would just blow your mind, you can’t handle the truth! Anyway, it’s been quite useful so far; if you know how to install it and set it up, I think it’s a very useful tool for writers, great for keeping notes and stuff all organized and in one place.

Graduation speech and animation and stuff

Valedictorian unhappy with school – part 2

Back on August 4th I posted a link to a graduation speech in which the valedictorian went over some major criticism of the current American education system, which I mostly whole-heartedly agreed with. After all, I’ve ranted about the education system on this blog quite a few times. I said that I couldn’t verify the speech though; it was only posted on the web from a second-hand source. However, I finally came across an actual recording of the speech, which seems to have been uploaded to YouTube by the speaker herself. So, for your enjoyment, or for your frustration with young people these days, here’s the speech:

Woohoo! Yes! Indeed! That’s right!

Do you agree with this speech?

View Results

Loading ... Loading ...

Animation Mentor progress

Week 8 (of 72) starts today! I’m pleased with my assignment this week, though of course I can still see areas that could use some tweaking, but you only have a week, so running out of time is inevitable. I’ll upload it to YouTube tonight or tomorrow. I was hoping to revise my pendulum assignment from last week, but never got to it. (I got sick that week so didn’t spend as much time on it.) Oh well.

The transforming room

Someone on Facebook posted a link to this very interesting video:

Of course, here in America, if you have enough money to afford designing and building something like that, then you probably have enough money to just buy a more spacious place, unless I suppose there’s some squished location that you really really want to live in. It would be awesome if someone opened up apartment buildings or hotels in which every room was like this; should get some good business just for the uniqueness of it. (Probably apartments; hotels would probably need too much maintenance.)

Mental breakdown

Don’t you hate it when you have a good idea for a topic you want to blog about, and then the next day, when you have time to blog, you forget what it is?

Anyway, haven’t been up to much these last couple days, just working and animating. I’m staying busier than I was in high school or college! Of course, in high school and college I 1) could get away with procrastinating every now and then and 2) hated doing the work in the first place, which is why I procrastinated. Though animation can be a bit frustrating at times, it’s something that I really want to do, and I wish I had more time to do it. Having my paid job interrupting my more interesting animation work is the annoying (but monetarily necessary) thing. I’m scheduled to finish Animation Mentor in Fall 2011, and, after paying my last tuition, it will be very tempting to try to leave work at that time and work on animation full-time for my last semester, with the intent of course of polishing a demo reel and getting a real animation job. And in 2012, take a vacation, a real vacation, ahhhh… but I must snap out of it! It probably won’t happen! Focus on the now! But, geez, the now is pretty intense! The ice I skate is getting pretty thin, and the water’s getting warm so I might as well swim! Can’t even fly out of a window! A tree doesn’t think it’s a tree, it is a tree! Ah-he-who-ha-ha!!

Oops, I had a mental breakdown there for a second. Please forgive me.

Do you forgive me?

View Results

Loading ... Loading ...

Anyway, I’ll post this week’s assignment on YouTube tomorrow night. I don’t think I’ll ever post that pendulum assignment. It turned out terrible, and I don’t think I have time to do a revision like I had hoped, so too bad, but I think this week’s assignment looks a bit better.

Animating and reading and music and stuff…

Animation studies continue

It’s now week 7 (of 72) of Animation Mentor! The first semester (of 12 weeks) is half way over!

Last week’s assignment involved animating a pendulum. Unfortunately, towards the end of the week (mostly Saturday and Sunday) I caught some sort of virus, so I lost a nice chunk of animation time, and my assignment turned out pretty “blagh.” I mean, it wasn’t completely terrible, but it needs lots of polishing, so I’ll post that up on YouTube after I do a revision. Feeling better now, so I hope this week will be better.

Reading…

I finished reading The Talent Code the other day. Overall, ’twas a pretty good read, though I still think that in some of the chapters the author kind of goes off on these less interesting tangents. There was this whole chapter about how good some “KIPP program” schools were, though to me they seemed kind of brain-washy. One of the main points of the program, besides instilling militaristic discipline, was to not only get the students to go to college, but get them to want to go to college. Apparently the founders of the KIPP program believe that going to college is pretty much the most important thing in the world. It’s kind of … disturbing. Maybe there’s a grain of truth to it, in terms of there being a correlation between income levels and college attendance, but I don’t think brain-washing children to believe that college is the most important goal in life is necessarily helpful, even if the students in this KIPP program preform very well on tests.

Which kind of leads me to another problem… so often it seems that how “good” a school is is determined by comparing it to other schools. People say things like “this school scored in the 90th percentile!” That sounds pretty good, but it actually really doesn’t say that much. What exactly is the “score” of the 90th percentile? Shouldn’t the actual score matter? With this sort of comparison-rating system, a school (or a student) doesn’t even have to improve for their score to improve… everyone else just has to do worse.

Along the same lines (though this is a complete tangent from the subject of the book), I hate when teachers, both high school and college, grade to a curve. As if a bell curve should naturally arise in the grades, and if it’s not there, you just shape the test scores to it. It makes no sense; you can get a better grade simply because everyone else did lousy on the test? But really this is part of the bigger “grading problem” in general that schools have; they simply use grades in a completely wrong way, as a form to easily compare students and to act as an easy gatekeeper for decision making. Unfortunately how well someone knows facts or a skill is not so easily numbered. (And this is really related to the “school problem” in general; how so many people think it’s a good use of time and money to teach and learn things students are not interested in or are not going to use. I’ll spare myself from going off on that tangent today…)

One last thing I’m starting to understand, from this book and others with similar themes, is that our personalities, as defined by our decisions and interests, are, or at least can be, as malleable as our intellect. They are a product of our environment. Maybe not completely, of course, but the true (often subconscious) sources of interests and personalities are quite complex; they do not simply emerge from DNA. In other words, if you observe that someone is bossy when they are a baby, that’s not necessarily just because they have “bossy” genes. Although, maybe they do… my point is that it’s complex. And people can change, at least to a greater degree than they may realize. Not easily, perhaps. It might take a complete overturning of your environment, and the change might be from “stable” to “completely depressed and crazy”, but it’s possible. I do wish it were easy to understand how interests come about and how they could be changed, but they seem to get so set-in-stone that we think of them as being as unchangeable as stone…

The other book I finished reading was Federations, a collection of sci-fi short stories. It was kind of a mixed bag… I thought some stories were very good, especially Prisons by Kevin J. Anderson and Doug Beason and Symbiont by Robert Silverberg. Some were OK. Some were uhhhh-what-the-heck? (I have more traditional tastes. When authors try to get all experimental and stylized, I don’t always get it. One of my big pet peeves is unisex/nonsex pronouns, like “hirs” and “shim”… blagh! You’re not clever! Stop it!)

Will books die soon?

In other news, I read this article in which some guy says that physical books will be dead in 5 years. *gasp* Firstly, the article states that we must consider what has happened to music and films, which makes no sense to me. Those are digital art mediums in the first place. You watch a movie with a digital TV, and you listen to music on speakers (or headphones). Those have required electricity to perceive the art for a long time. Not so with books. So I don’t think the comparison is entirely valid. Also, movies are still quite non-digital, in that they still are sold on physical discs. This not only helps prevent copying (to a degree), but it also allows customers to trade, rent, borrow, return, and resell their movies. In a purely digital world, we can’t do that. Money would only ever flow one way. Great for movie distributors (if they can prevent illegal copying enough), somewhat lame for everyone else (unless you can get free movies by watching ads at certain intervals… but still no returning or trading).

He also says that the sales of Kindle books has outnumbered the sales of hardbacks. OK… that in and of itself is not really evidence of anything, as far as I can tell. We’d also have to see a decline in hardback sales, and look at paperback sales. And publishers would have to at some point conclude that publishing a hardback would not be worth it. And then conclude that paperbacks aren’t worth it either. These business decisions would, I think, be way too drastic for publishers to figure out in just 5 years. Unless, of course, Kindle and other ebooks take off so well and make publishers so rich that they have nothing to worry about by going all digital. So I guess I’d really have to look at the publishers’ records to know…

Eventually, books may very well die, or at least become mostly dead… but in just 5 years? I highly doubt it.

Some beautiful music!

Lastly, as a reward for reading all that blather (or for scrolling down), here’s some beautiful music for you!

Want more? Of course you do!

These pieces were brought to you by the Portsmouth Sinfonia which I came across last week (or yesterday or something)… what beautiful sounds!

Stuff about schools…

Valedictorian hates school…

I came across this valedictorian graduation speech yesterday. It’s quite well-written and agrees with just about all my anti-current-education-system rants that I give on this blog every now and then. It’s always nice to read a reflection of your own beliefs, especially from someone who writes a bit more formally. It’s kind of annoying that you have to be a valedictorian for certain people to listen to you, but that’s how it is. (And listening doesn’t simply lead to agreeing anyway.)

Unfortunately I can’t seem to find any more direct source of the speech. It’s pasted on the Internet in a few places, but not from any official-looking sources. I’d love to know how parents and teachers reacted. Ultimately making any real changes to the currect education system is a tough business as people get all scared that students will get too dumb if we don’t at least hold on to what we have.

Another online animation school…

In other news, someone in my Animation Mentor group mentioned iAnimate.net, a new online animation school opening up next month. From what I can tell, it looks like it’s pretty much modeled after Animation Mentor, with some slight differences. The semesters are 14 weeks (so I guess it would take an extra 6 months to get through) and the tuition is a bit less. It looks like they also have less teachers, so maybe they’ll accept less students? Maybe it will be harder to get in?

(There might be more differences; I didn’t study the site super-thoroughly…)

I wonder if Apple will sue them, though, for all this ‘i’ stuff… and I wonder what a good name for an online animation school would be… I don’t really like the name “Animation Mentor” or “iAnimate”… they kind of give off auras of online cheapiness. You need like a “International Animation Institute” or something.

And I wonder how their business will go. Besides the smaller tuition price, is there any incentive to go to their school rather than the already well-established Animation Mentor? (Is that the reason for the smaller price?) Does Animation Mentor reject people that iAnimate would take? How many prospective animation students are out there that will now have this choice, and how will they make it? I always think some competition can be healthy, so I guess we’ll see…

My real concern though is… how is the US job market for new inexperienced animators? Is it already oversaturated or is there a risk of it becoming so? Or is there plenty of room for us? How will these schools affect that?

Anyway, just an interesting development in the business of online animation schools…

Secret motivation from Inception

Animation study progress

It is now week 6 of Animation Mentor! After this week, I’ll be halfway through the first semester! I am definitely learning a ton, but … WHEW! … I am finding this to be quite hard stuff! Definitely takes time and patience. But it’s also fun. It’s not like high school or college work which was mostly useless. Here are my assignments from weeks 4 and 5:

Inception

I saw the new film Inception on Sunday night, and I thought it was fantastic, one of the best movies ever made. Don’t worry, I won’t give any spoilers. I’d love to say some things about it, but I’ll wait until it comes out on blu-ray, then I’ll post a more spoiler-ish review. Of course, it helps if you like sci-fi pertaining to dreams. In some ways, it was kind of Philip K. Dick-ish, in its “is-this-reality?” kind of way, but with much more action, and a more direct plot. So if you like sci-fi, or any of Christopher Nolan’s other movies, you better go see this movie. It’s just brilliant.

Inception in relation to motivation

The word “inception” means … what, you don’t know? … it means “origin: an event that is a beginning” … in the movie, “inception” refers to the act of giving someone else an effective idea in their dreams.

Chapter 5 of The Talent Code (which I’m still reading) is called “Primal Cues” and it’s about what motivates someone to put in the long hard hours of deep practice to master a skill. Deep practice takes a lot of mental focus and effort, and is quite tiring. So must of us don’t do it if we don’t have to, which we usually don’t.1 So to do it, you more or less have to really want to do it. As Coyle says in the book, you have to be willing to suffer through it now, keeping in mind the rewards later.

Where does such motivation come from? It’s hard to know. When asked, masters or those partaking regularly in deep practice don’t really know themselves; they say things like “I’ve always been interested in this” … which of course just encourages the notion that potential interests lie somewhere in DNA.2

This chapter doesn’t necessarily make the issue less complicated. If anything, it makes the issue seem even more complicated, by showing how interests, which seems so innate and unchangeable, can indeed be affected by outside sources. On pages 110-111, Coyle writes:

They [Dr. Geoff Cohen and his colleague Gregory Walton] took a group of Yale freshmen and gave them an innocuous mix of magazine articles to read. Included was a one-page first-person account of a student named Nathan Jackson. Jackson’s story was brief: he had arrived at college not knowing what career to pursue, had developed a liking for math, and now had a happy career in a math department of a university. The story included a small biographical profile about Jackson: hometown, education, birth date. The article, like the others, was utterly forgettable–except for one microscopic detail: for half the students, Nathan Jackson’s birth date was altered to exactly match the students’ own. After they read the article, Cohen and Walton tested the students’ attitudes towards math and measured their persistence; i.e., how long they were willing to work on an insoluble math problem.

When the results came in, Cohen and Walton found that the birthday-matched group had significantly more positive attitudes about math, and persisted a whopping 65 percent longer on the insoluble problem. What’s more, those students did not feel any conscious change. The coincidence of the birthday, in Walton’s phrase, “got underneath them.”

When I first read this I thought… aha, they’re using inception!! Non-dream inception, yes, but it does seem like sub-conscious inception.

Coyle goes on to argue that a factor that strongly affects motivation is a “feeling of belonging” … feeling you’re part of a group that partakes in a particular study or activity. The shared birthday, it seems, would make a student imagine being in Nathan Jackson’s shoes and relate to him. Which is why it’s also important that Jackson came into college not knowing what to do. If Jackson said he had been into math all along, and had won prestigious math competitions in his youth, my guess is the effect would be not nearly as strong. Also, it has to be subtle. If the students knew what the experiment was about, they’d probably be too self-conscious for the experiment to work the way it did.

When I was in college I tried doing some research into the psychological “feeling of belonging” … I tried to find if there was any science behind it, how it could be used and affected, etc., but I couldn’t find anything at all. Too tough to study perhaps?

Another experiment Coyle mentions involved asking students one simple question before they started learning to play an instrument: “How long do you expect to keep playing this instrument? Through this year, through primary school, through high school, or for the rest of your life?” They took the answers, then compared them with how quickly the students learned and how often they practiced. You can probably guess the results: Students who practiced more got better faster, obviously. And students who felt they had made a life-long commitment also got better faster. As Coyle writes on page 104:

With the same amount of practice, the long-term-commitment group outperformed the short-term-commitment group by 400 percent. The long-term-commitment group, with a mere twenty minutes of weekly practice, progressed faster than the short-termers who practiced for an hour and a half. When long-term commitment combined with high levels of practice, skills skyrocketed.

I suppose when you start to think of whatever you’re studying as part of your identity, part of what makes you you, you’re studying is that much more effective. It means you’re really dedicated. If it’s just something you’re studying because your parents or teachers are making you, effectiveness goes down.

Anyway, The Talent Code continues to be quite an interesting book! And that’s all for today.

——————–

1 Schools don’t make kids do deep practice either, unless it’s a specialized school. Schools instead force shallow practice. Actually, for the most part, I wouldn’t even call it practice, because students don’t use skills as they would in the real world. Instead they are taught things that can be put on paper and easily graded. If schools were to encourage deep practice, they’d have to have a lot more focus in their curriculum, and take a more hands-on approach, not just use a bunch of written tests. It’s amazing how many people (most people, it seems) support the education system out of tradition considering how ineffective it is, and how much they hated it when they were going through it themselves. “It’s better than nothing,” they say. OK, but it’s also worse than many better things. I’m obviously not proposing that schools should be replaced by nothing.

2 Stephen Sondheim, master composer and lyricist of musicals, once himself said in an interview that he believed his desire to compose (or his talent for composing or something) came from his genes. Upon first reading the interview, I thought “nah, I don’t believe that…” But then I came to think there might be some truth to it; after all, I have no idea why I started composing music. I just had to do it. (Not that I’m a master quite yet, of course.) Now I’m going back to not quite believing it again…

Books I done went and checked out

So yesterday I made the long journey back to George Mason University to use their library.  The same girl was working there as when I worked there years ago.  I’m not sure if she recognized me or not, but if she did she didn’t say anything.  Then again, neither did I.  Anyway, I found a lot of books I’d like to check out, but I only checked out 6 for now.  Not that I’ll read them all cover to cover; some of them are more of the scan-through kind.  So here’s what I got:

  • Timing for Animation, Second Edition – Well, actually, I got the first edition, but the second edition is what’s on Amazon now.  This book was in Animation Mentor’s “recommended books” section, and just flipping through it it looks like it will have some helpful tips.
  • Acting in Animation: A Look at 12 Films – I’m not really sure exactly what this is about (besides animated “acting” of course) but it looked interesting.
  • Three Uses of the Knife: On the Nature and Purpose of Drama – Someone mentioned this book in the comments of this blog. I forgot to look for Mamet’s book on directing though. Anyway, this book is very short. So I got it. Looks interesting. It’s just on story writing in general, I think, so could be interesting since I’ve always got screenplay and novel ideas floating around in my head.
  • Pure Animation: Steps to Creation With 57 Cutting-edge Animators – This is definitely just a scan-through book with lots of pictures in which animators make a few points about the creation of some of their short animations.
  • Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers – This was also recommended by Animation Mentor. It’s obviously about cinematography. It looks like its full of great and interesting film-making stuff. I’d like to read it cover to cover, though I don’t think I’ll have time, especially since I need to focus on actual animation. But it looks like it will definitely be interesting to at least flip through.
  • Autodesk Maya 2010: The Modeling and Animation Handbook – Here’s another one I’d like to read cover to cover if I had more time, which I don’t, so I’ll just flip through it. It’s just about how to use Maya. I think I’ve got an OK handle on the animation side of things, at least the basics of it, but modeling, lighting, rendering, etc. are all still kind of beyond me. Though I don’t necessarily need to learn those things for Animation Mentor, I still think they’d be useful.

As I said, they’ve got some other books I’d like to check out in the future, but I’ll look through those for the next few weeks and should definitely learn some things.

Some of those books make me want to subscribe to Netflix (or Blockbuster) so I can have access to a lot of movies (both animated and non-animated) just to study film in general. It’s very tempting, but I’ll save my money (and time) for now. Maybe as I get closer to finishing Animation Mentor…

Lastly, I also checked out a book from the local library called The Talent Code. This kind of seems like a good sequel to The Genius in All of Us, which I read a few weeks ago. While that book was about how almost anyone can be a “genius” with the right kind of work and dedication, this book is more about just what the “right” kind of work is. What is the best way to gain a new skill? What is the best way to practice? As I’ve concluded from reading a few books, it’s not just about doing something over and over, it’s more about figuring out how to do something you can not yet do. So it’s like “the art of learning” which I find to be very interesting. So it seems like it will be a good book. And it’s pretty short, only around 200 pages, so it shouldn’t take too long.

I guess that’s pretty much it today, just wanted to blather about books I got from libraries! Hope it was interesting! If not, too bad!

Animation and NurtureShock and other stuff

Animation Mentor

It’s week 5 (of 72) of Animation Mentor! Things are going OK so far. I’ll upload a video of last week’s assignment later. Our assignment last week was to animate balls of different weight and bounciness. This week our assignment is to animate a ball with squash and stretch bouncing around an opsticle course, so it will be quite tricky. I spent the morning fooling around a bit with animating squash and stretch, and it does take some getting used to, especially timing-wise. But it’s also easy to tell just how much more “alive” it can make something look.

NurtureShock

In other news, I recently finished reading NurtureShock: New Thinking About Children. Overall, it was very good, and could change the way parents (and people in general) think about child development and (what I’m interested in) education.

However, I still have some disagreements with how they interpret certain scientific results. Though they mention somewhere in the book that they believe “intelligence” is malleable, they sometimes seem to imply that they believe it’s only malleable in children, or at least not as malleable in adults as I believe it to be.

They also don’t seem to realize how influential environment can be on intelligence, personality, decision-making processes, mood, etc. In fact, a lot of people in general don’t seem to realize this, so people are always searching for other reasons people act the way they do, such as “oh, the teens’ brain is just not done developing and that makes them take more risks, and their hormones make them all moody” or “prodigies are born, and we pulled him out of school so he can study chess and violin for 15 hours a day to nurture that genius.” I’m not arguing that environment complete dictates everything … obviously it doesn’t … but neither does DNA and hormones and the size of the prefrontal lobe. The environment still has a huge effect that should not be ignored.

I haven’t read it, but there’s a book called The Lucifer Effect: Understanding How Good People Turn Evil by Philip Zimbardo about Zimbardo’s famous Stanford Prison Experiment. In the experiment, students basically took part in a mock prison, some playing prisoners, others playing guards. As you might know, they had to stop the experiment early because people went mad; they got way to into it, the guards started torturing the prisoners, and the prisoners became insanely miserable (and forgetting it was just an experiment). The point was: change the environment enough, and you can become a completely different person. You still have to pay the price for your evil deeds, but the environment can still have a huge effect on your decision-making. And isn’t imagining the wonder of Heaven and the bleakness of Hell all about imagining certain environments? (As we can’t very well imagine a change in being or a change in the nature of our consciousness … that is beyond the limit of our consciousness, leading some to believe it’s altogether impossible.)

Anyway, where was I? Oh, yes, the authors of the book simply don’t give enough credit to the influence of environment. They do give it some credit, since some of the experiments they mention are all about changing the environment in specific ways. But other times they seem to ignore it.

But, as I said, overall it’s very good, and I recommend reading it; I simply advise not blindly believing their sometimes simplistic explanations of the experimental results. (That really goes for any science book meant for the average reader; be weary of oversimplification, especially in complex topics like business and marketing and economics and psychology and quantum physics. It’s amazing how many people sum up Einstein’s relativity as “time goes slower for things moving faster.” It’s usually high schoolers who go on to apply to MIT as a matter of looking smart rather than actually being qualified. There are lots!)

Some other random stuff

Oh, I’m resurrecting my Stuff I Found blog, now at a new location.

Also, I found some local people playing chess on Saturday nights, so I can get back into chess for a little while, playing some real life people on real life boards (which reminds me, I might have some games going on in Google Wave that I need to check). I don’t think I’ll have time to go to any tournaments anytime soon, since I work weekends, but at least it will be some non-Internet socialization.

Lastly, I’m hoping sometime this week to finally go back to George Mason University and use their huge library. I’ve long missed their library, the only thing I really loved about going to university, they’ve got just about every nonfiction book I’ve ever wanted to read. They’re especially great for computer books, which can be costly and which our local library won’t buy. It can be kind of a long drive (45 minutes to, at worst, an hour) but if I can get some books on Maya, and animation, and drawing, etc, I think it will be worth it. (And, looking through their online catalogue, they’ve got a ton. And almost everything is also checked in, I guess since it’s summer. Though even when I was going to Mason, I hardly ever had to wait for a book to come back. A lot of students just don’t use the library unless a professor makes them. (And many people don’t read nonfiction for fun, for that matter.) Which I think is fine… more for me! Plenty of professors and graduate students use it, though.)

OK, that’s all for now…

Some random things that I must say today

A few things…

OK, a few things.  Firstly, I finally updated my WordPress to 3.0!  Woohoo!  I’m all updated!  Not that one can really notice from just reading the blog…

Secondly, I created a new YouTube channel at youtube.com/seanhannifin to post random non-music stuff, probably mostly animation tests so that I can share my Animation Mentor progress.  Here are my first animation attempts:

Woohoo!

Um… what else?

Comic-Con

I don’t really know much about Comic-Con, except that it’s apparently a pretty popular event. I don’t have the time or money to go to any such conventions (or the social connections that would make going to such an event more fun). Anyway, Comic-Con will be streaming live at MySpace starting sometime today, so I might check it out for about 5 minutes…

A few responses to Nurture Shock

I’m reading this book called NurtureShock: New Thinking About Children by Po Bronson & Ashley Merryman.  It’s a very interesting book; each chapter is dedicated to shedding new light and giving a new perspective to a certain topic.  (Just look at the table of contents on Amazon if you really care what those topics are… I might blog about more of them in the future.)  I love books that try to tackle long-standing myths.

Anyway, chapter seven is called The Science of Teenage Rebellion, and while it doesn’t go into too much depth (afterall, you could write entire books on this topic … and people have), it does make some interesting points.

This post is really not about those points, though.  It’s really just my reaction to some quotes from the chapter.

On Page 140, it says:

Pushing a teen into rebellion by having too many rules was a sort of statistical myth.  “That actually doesn’t happen,” remarked Darling.  She found that most rules-heavy parents don’t actually enforce them.  “It’s too much work,” says Darling.  “It’s a lot harder to enforce three rules than to set twenty rules.”  These teens avoided rebellious direct conflict and just snuck around behind their parents’ backs.

Woah.  So, just lying to your parents and breaking the rules behind their backs is not rebellious?  You think the parents would be OK with that?  So… it’s good to set rules as a parent, because, hey, if it’s too many, your child will just break them behind your back…?

I think it’s possible for a parent to set too many rules, and not enough rules, and doing either could help cause rebellion.  And by “rebellion” I mean teenagers disobeying their parents, not just avoiding direct conflict.

That paragraph makes it hard for me to understand what the author is trying to say, so I can’t really agree or disagree with him on it.

Then, in a new section, on page 141, the book says:

The Mod Squad study did confirm Linda Caldwell’s hypothesis that teens turn to drinking and drugs because they’re bored in their free time.

Woah again!  The book says pretty much nothing about how this was confirmed.  It is seems way too simplistic to me.  What about the many environmental influences?  Peer pressure, parental pressure, school pressure, the availability of drugs and alcohol, etc?  I’m not convinced anyone ever does anything just because they’re bored.  There’s always more to it than that.  If you were really bored, you wouldn’t do anything!

The book then talks about how Caldwell creates a program called TimeWise which tries to help kids counter boredom.  And it says on page 143:

For the seventh-graders who started out the most bored, “it didn’t seem to make a difference,” said Caldwell.  It turns out that teaching kids not to be bored is really hard–even for the best program in the country.

Why didn’t TimeWise have a stronger effect?

My guess would be that after TimeWise, kids are thrust back into the environment they were in before.  Yes, their time spent in the TimeWise program could affect their choices a bit, but they didn’t drink and do drugs just because of mere boredom in the first place!  You got your premises wrong.  (The real results Mod Squad study might’ve been more complex than this, I don’t know.  As I said, the book gives no explanation as to how the study confirmed such a thing.)

And then, bum bum bum… the book says:

Is it possible that teens are just neurologically prone to boredom?

According to the work of neuroscientist Dr. Adrian Galvan at UCLA, there’s good reason to think so.

To me, there seems bad reason to think so.  Basically, scientists do these brain scans and watch parts of the brain light up.  And for teens, they find that the prefrontal cortex doesn’t light up as much when the teen is supposedly excited (it shows a “diminished response whenever their reward center was experiencing intense excitement”).  And the prefrontal cortex is “responsible for weighing risk and consequences.”  Therefore when the teen is excited… “the teen’s brain is handicapped in its ability to gauge risk and foresee consequences.”

That’s it?

That’s the evidence?

The prefrontal cortex shows a “diminished response” and therefore teens aren’t as good at foreseeing outcomes and are therefore just naturally prone to risky behaviour?

And nevermind the environment?

And… weren’t you at first trying to say something about boredom?

Overall, it’s a very interesting book.  I think the authors need to do a bit more research in this area though.

Geniusness and whatnot

It’s week 3 of Animation Mentor, and this week we’re learning to animate a bouncing ball. I think my bouncing ball will be so good that Pixar will want to license it for a new short film called “The Bouncing of the Ball” or something. Anyway, it’s going well; the workload isn’t overwhelming yet though I still wish I could get my sleep schedule in order so I could get my animation studying time into some kind of structured groove. Here’s my assignment from last week:

stupose1

The assignment was merely to observe other people’s poses and then pose the given 3D character. That took long enough; I can’t wait to see how long it will take to actually animate something that complex … *gulp*

geniusbook In other news, I just finished reading a good book called The Genius in All of Us: Why Everything You’ve Been Told About Genetics, Talent, and IQ Is Wrong by David Shenk. It basically argues against the classic notion that “genius” is just some innate quality that we’re either born with or without, most of us without. What we call “genius” is actually a set of skills that are highly developed over a long period of time, formed by constant practice and dedication. With enormous amounts of dedication, just about anyone can become a “genius” in any area they desire. The thing is, not many of us are willing to really dedicate that much time and effort to one area of study (and sometimes we can’t anyway, because of the demands of work, school, or family life). But realizing that just about anybody has the ability to become a genius in just about anything (though certainly not everything at the same time) is something few people seem to realize (though if you read through my blog here, you should see that I have long held this notion, as have others, so it’s not really an innovative idea, but it’s still a good book).

Some things mentioned in the book that I though were interesting:

Prodigies:

Firstly, there are plenty of prodigies who grow up to do nothing special, and plenty of successful adults (like Einstein) who weren’t prodigies. The qualities needed to be considered a “prodigy” and to be considered an adult “genius” are simply different. So if you weren’t a prodigy, relax, you can still do great things. And if you were a prodigy, you’re a loser now! Ha ha! See what it feels like!

No, what I mean is, if you were a prodigy, you can’t just rely on whatever made you a prodigy to help you compete in the adult world; you have to retain that constant drive to learn and practice and get better still, and this time without your parents and teachers praising how good you are to family and friends on the phone.

I watched this video on YouTube some time ago. A 6 year old girl plays an original composition on the piano.  Take note of what Ellen says at around 4:35.  She asks “How do you come up with this stuff?”  And the girl says “It just comes out!”  And Ellen says “Well, it doesn’t just come or it would come out of all of us if it did.  You’re very very special.” Oh, Ellen. You’re so funny. See? This is what a lot of people really think! Actually, Ellen, you could compose and play like that if you just practice for a few years. It’s really not that amazing. That you think you can’t anyway, however, won’t help anyone at all.  But Ellen is right; it doesn’t just “come out,” it’s practiced and worked towards.

How to be a Genius:

Chapter 7 includes some tips on how to become a genius; that is, how to work yourself to the bone to become good at something. The tips are very good (though easier said than done). The first tip is to find your motivation. Obviously it’s much easier to do something if you want to do it. Secondly, be your own toughest critic and identify your limitations and ignore them. Practice that will help you improve is not just doing the same thing over and over. You have to try to do something you cannot yet do. You have to constantly be finding areas you can improve in. You must delay gratification and resist contentedness. You might get to a point where people start praising you for your work, but you can’t be content with that. (Is praise your motivation, you shallow fool?!) You have to keep pushing yourself; never be happy with your work. I mean, you can be proud of what you’ve achieved, certainly, but the point at which you can’t find anything to improve on is the point at which you’ll stop improving (and become a big dummy). That said, you must also beware the dark side (bitterness and blame). You don’t have to psychologically mess yourself up by constantly thinking you’ll never be good enough, for whatever reason. When you push yourself, you must do it for the desire of getting better, not out of self-contempt. Finally, try to have heroes and find mentors. They will inspire you and teach you their secret ways.  (And, no, I can’t be your mentor, sorry to disappoint…)

Being a genius shouldn’t be the reward. Becoming a genius should be a reward in and of itself. You must learn to love the process, as it never truly ends.

Also, school is stupid and doesn’t help at all. Just thought I’d put that in there.

And all that said, you might be perfectly content with not being considered a genius. Nothing wrong with that. Lazy bum.

But … how does one practice effectively?

I’m still not really quite sure, the book doesn’t go into a whole lot of detail on this point. I shall have to do some further reading and research, I suppose. I guess some of it depends on what exactly you want to learn. And I suspect it has to do with what I mentioned earlier: finding some certain thing you are not yet capable of doing and figuring out how to do it. Give yourself little goals and then work to achieve them, and when you do, give yourself more goals. So I guess the trick is to find little goals that will actually aid you in your larger quest. For example, if you’re learning to play the piano, and you give yourself the goal of playing “Twinkle Twinkle Little Star” even faster, that might not be as helpful of a goal as trying to play it with more accurate tempo or something. Or in learning to draw: If you wish to draw dragons that can only be seen in your mind, redrawing family photos from reference might not be as much help as studying anatomy and learning to recreate bodies in positions you do not have reference to work from. For arts like writing and composing, the art is so much more subjective that coming up with goals might be harder. Having a goal of simply “getting more praise from more people” just seems a bit stupid. Areas like that are, I think, more tricky. I could go into my thoughts about them, but I think that topic is worthy of another entire blog post, and I don’t really feel like getting all into it now.

Overall

Overall, I recommend the book, especially if you don’t already agree with its message, because you need to understand how wrong and foolish you are! I only deduct a few points because the author misinterprets an Ayn Rand quote, and gives too much unwarranted credit to Jean-Baptiste de Lamarck, the “stupid old foolish scientist” as he’s known in these parts.

Happy reading! (Or happy non-reading, to all you non-genius folks…)