Mental breakdown

Don’t you hate it when you have a good idea for a topic you want to blog about, and then the next day, when you have time to blog, you forget what it is?

Anyway, haven’t been up to much these last couple days, just working and animating. I’m staying busier than I was in high school or college! Of course, in high school and college I 1) could get away with procrastinating every now and then and 2) hated doing the work in the first place, which is why I procrastinated. Though animation can be a bit frustrating at times, it’s something that I really want to do, and I wish I had more time to do it. Having my paid job interrupting my more interesting animation work is the annoying (but monetarily necessary) thing. I’m scheduled to finish Animation Mentor in Fall 2011, and, after paying my last tuition, it will be very tempting to try to leave work at that time and work on animation full-time for my last semester, with the intent of course of polishing a demo reel and getting a real animation job. And in 2012, take a vacation, a real vacation, ahhhh… but I must snap out of it! It probably won’t happen! Focus on the now! But, geez, the now is pretty intense! The ice I skate is getting pretty thin, and the water’s getting warm so I might as well swim! Can’t even fly out of a window! A tree doesn’t think it’s a tree, it is a tree! Ah-he-who-ha-ha!!

Oops, I had a mental breakdown there for a second. Please forgive me.

Do you forgive me?

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Anyway, I’ll post this week’s assignment on YouTube tomorrow night. I don’t think I’ll ever post that pendulum assignment. It turned out terrible, and I don’t think I have time to do a revision like I had hoped, so too bad, but I think this week’s assignment looks a bit better.

Animation and NurtureShock and other stuff

Animation Mentor

It’s week 5 (of 72) of Animation Mentor! Things are going OK so far. I’ll upload a video of last week’s assignment later. Our assignment last week was to animate balls of different weight and bounciness. This week our assignment is to animate a ball with squash and stretch bouncing around an opsticle course, so it will be quite tricky. I spent the morning fooling around a bit with animating squash and stretch, and it does take some getting used to, especially timing-wise. But it’s also easy to tell just how much more “alive” it can make something look.

NurtureShock

In other news, I recently finished reading NurtureShock: New Thinking About Children. Overall, it was very good, and could change the way parents (and people in general) think about child development and (what I’m interested in) education.

However, I still have some disagreements with how they interpret certain scientific results. Though they mention somewhere in the book that they believe “intelligence” is malleable, they sometimes seem to imply that they believe it’s only malleable in children, or at least not as malleable in adults as I believe it to be.

They also don’t seem to realize how influential environment can be on intelligence, personality, decision-making processes, mood, etc. In fact, a lot of people in general don’t seem to realize this, so people are always searching for other reasons people act the way they do, such as “oh, the teens’ brain is just not done developing and that makes them take more risks, and their hormones make them all moody” or “prodigies are born, and we pulled him out of school so he can study chess and violin for 15 hours a day to nurture that genius.” I’m not arguing that environment complete dictates everything … obviously it doesn’t … but neither does DNA and hormones and the size of the prefrontal lobe. The environment still has a huge effect that should not be ignored.

I haven’t read it, but there’s a book called The Lucifer Effect: Understanding How Good People Turn Evil by Philip Zimbardo about Zimbardo’s famous Stanford Prison Experiment. In the experiment, students basically took part in a mock prison, some playing prisoners, others playing guards. As you might know, they had to stop the experiment early because people went mad; they got way to into it, the guards started torturing the prisoners, and the prisoners became insanely miserable (and forgetting it was just an experiment). The point was: change the environment enough, and you can become a completely different person. You still have to pay the price for your evil deeds, but the environment can still have a huge effect on your decision-making. And isn’t imagining the wonder of Heaven and the bleakness of Hell all about imagining certain environments? (As we can’t very well imagine a change in being or a change in the nature of our consciousness … that is beyond the limit of our consciousness, leading some to believe it’s altogether impossible.)

Anyway, where was I? Oh, yes, the authors of the book simply don’t give enough credit to the influence of environment. They do give it some credit, since some of the experiments they mention are all about changing the environment in specific ways. But other times they seem to ignore it.

But, as I said, overall it’s very good, and I recommend reading it; I simply advise not blindly believing their sometimes simplistic explanations of the experimental results. (That really goes for any science book meant for the average reader; be weary of oversimplification, especially in complex topics like business and marketing and economics and psychology and quantum physics. It’s amazing how many people sum up Einstein’s relativity as “time goes slower for things moving faster.” It’s usually high schoolers who go on to apply to MIT as a matter of looking smart rather than actually being qualified. There are lots!)

Some other random stuff

Oh, I’m resurrecting my Stuff I Found blog, now at a new location.

Also, I found some local people playing chess on Saturday nights, so I can get back into chess for a little while, playing some real life people on real life boards (which reminds me, I might have some games going on in Google Wave that I need to check). I don’t think I’ll have time to go to any tournaments anytime soon, since I work weekends, but at least it will be some non-Internet socialization.

Lastly, I’m hoping sometime this week to finally go back to George Mason University and use their huge library. I’ve long missed their library, the only thing I really loved about going to university, they’ve got just about every nonfiction book I’ve ever wanted to read. They’re especially great for computer books, which can be costly and which our local library won’t buy. It can be kind of a long drive (45 minutes to, at worst, an hour) but if I can get some books on Maya, and animation, and drawing, etc, I think it will be worth it. (And, looking through their online catalogue, they’ve got a ton. And almost everything is also checked in, I guess since it’s summer. Though even when I was going to Mason, I hardly ever had to wait for a book to come back. A lot of students just don’t use the library unless a professor makes them. (And many people don’t read nonfiction for fun, for that matter.) Which I think is fine… more for me! Plenty of professors and graduate students use it, though.)

OK, that’s all for now…

Eye exam, Sleeping Beauty, blah blah blah

I finally made an appointment to see an optometrist this Friday. Need to get me a new prescription so I can get some new glasses. My eyes have gotten worse. Though I read somewhere that glasses help make your eyes get lazier and help make them worser. Oh well, I still need some. Right now the distance is a bit blurry even with my glasses on.

I also watched Sleeping Beauty on blu-ray today. Reading The Illusion of Life: Disney Animation makes me want to watch animations. And I’ve actually never seen Sleeping Beauty before. I must say, it looks wonderful on blu-ray, the way all films should be watched. What strikes me, probably because I’m watching it for the first time as a 24 year old, is how short it is. Only 75 minutes. If I had watched it as I kid, I’m sure it would’ve seemed longer, like all 75-85 minute movies did. Anyway, I ended up watching it twice, once just normally, and then again with the audio commentary (featuring a group of people who didn’t actually work on the movie). There are a bunch of special features on the bonus disc that I haven’t looked at yet, but hope to. (The best part of the movie: “This dress looks awful!” “That’s because it’s on you, dear.”)

Also had my first little Animation Mentor experience tonight: just a little Q&A session about what’s coming. So I got some more info on how the program will work, and got some questions answered. I listened for about an hour and twenty minutes, really excited, and then my connection started having problems. I’m not sure how long it went on afterwards, but I think every question I was curious about got answered. Can’t wait until it actually begins! Probably annoying for me to keep saying that…

This animation study, starting next month, might mean I don’t compose much, if any, music over the next year and a half, as my free time will go way down… but we’ll see. I’m sure I’ll still write a bunch of melodies though. I can’t stop doing that.

Guess that’s it for today…

I’ll officially study animation soon!

Today I got accepted to Animation Mentor! (Not sure how often anyone ever really gets rejected.)

Anyway, I’m really excited and I can’t wait to start, though I’ll have to wait about 2 months, since the next session doesn’t start until the end of June. But, in that time, I can learn more about Maya, the 3D software the classes use.

So, for better or for worse, I’ll probably blather about animation a bit more for at least the next year and a half.

I don’t know how apparent it is from this blog, but I’ve always been interested in animation; it’s one of the reasons I’ve been wanting to learn to draw. And, of course, I’ve always been interested in the art of film making. But I always thought I’d have to learn drawing skills slowly over time to get ever find a way into the industry, so it was just one of my many pipe dreams. Then I suddenly came across Animation Mentor, and … ooohh! … looks like it could very well be a way in! If not a direct path to working on feature films at a studio, it could at least lead me to full time job doing something I actually like the idea of doing (and being able to do): animating. Gah, it just feels so good to be able to type it: I’m going to study animation. Ha ha ha!

After spending 4 years in college majoring in Computer Science, the prospects looked grim. I was interested in Computer Science because I wanted to design video games. Well, Computer Science actually has nothing to do with video game design, at least not around here. When I started looking at available jobs, it was mostly boring looking programming jobs (I once told someone that I wanted to help design the games, not merely program what someone else told me to, and the guy went off on how wrong my attitude was) or IT tech support. Now having discovered Animation Mentor, I’m a bit glad I didn’t get any of those jobs. (Though, of course, I’m glad somebody out there is interested in them and will take them! I met a guy in college who was immensely interested in the inner workings of RAM. I found the topic to be the epitome of mundane, but I’m glad some people out there are worrying about it or I wouldn’t have all the things RAM makes possible.)

I did a few job interviews, but I’m sure they could tell how uninterested I truly was. I once interviewed for a military contractor programmer position, and they asked “So what interests you about radar?” and I almost burst laughing… “Um… it kind of looks like a little TV screen?” The job description didn’t say anything about radar. Which, by the way, is another huge complaint: some programming jobs out there have the worst, most vague job descriptions I can imagine. They say things like: “You will implement and analyze systems for integration with current modules. Will work closely with supervisors and coworkers to provide up-to-date support for vital systems.” What the–?

I once asked some people what was more important in job searching: a good portfolio, or good grades? They answered that both were important. Lazy and wrong answer. If you’re looking for the kind of job in which you can send a portfolio, a portfolio is always more important; it shows what you can actually do. I guess people are afraid to admit (or just can’t understand) that the entire structure of college (and high school for that matter) is pointless for many career paths. But I’ll spare this blog yet another rant on that topic… (and actually you’ll want to ask the employer what’s more important, though I can’t imagine an employer being impressed with a portfolio, then dismissing it because of a bad grade)

Anyway, the structure of Animation Mentor looks very much like the way I think almost all education should be. Almost like an apprenticeship with a direct line of communication between the student and the pros working in the field the student wants to enter. (Rather than a student doing worksheets and writing essays for full time professors in a hodge podge of study areas.)

So… hopefully Animation Mentor won’t go bankrupt or a list of other bad things that could go wrong won’t.

The only thing that worries me now is the natural fear that I won’t be good enough. I do have the advantage of having only a part time job at the moment, so I should be able to dedicate a lot of time to this, but I don’t have a big drawing background, and just about no experience at all in this field, save for some little fooling around I’ve done now and then on my own. But this is definitely worth a try, and I’ve got plenty of interest. If I have to go back to trying to get a programming job, I guess I’ll have to delete this post, or edit it.

Applied to Animation Mentor

Last night, after convincing my parents to continue letting me live with them for the next year and a half while I go completely broke, I applied to Animation Mentor. I don’t know how long it will take to find out if I get accepted or not. I guess there’s always a chance they could say “no, this isn’t really for you, go away” (that would stink) or “you’re accepted, but we’re too full right now, come back in the fall.” Guess I’ll wait and see… it looks like a wonderful opportunity, though, so I really hope I get to do this…

Can I learn character animation?

I guess this is a taste of how uneventful my blog will be whenever I get a full time job. Besides going to work (and constantly tweeting how many hours I have left), I’ve been spending the rest of my time working on composing the underscoring for a documentary, which I mentioned last week, which I think is going well, though I wish I could do it a bit faster (while not sacrificing quality, of course). And, of course, I wish I could do it full time!

I did post a new YouTube video the other day. That’s one of the cues I wrote for the documentary.

Um… yeah… not really much else…

Oh, I have been looking into this online animation school: Animation Mentor. I came across it exploring animations on YouTube. (I was researching stop motion animation with the ambition of buying a camera and filming some shorts.) It looks extremely tempting; I would LOVE to learn to do the kind of character animation they teach. The thing is… it costs quite a bit (like, $18,000). It would basically be like going back to college. But still… gah, does it look tempting. It’s a definite maybe. I mean, I’d apply right away if it cost less, so it’s mostly a matter of financial support… and even if I applied, I might not get in… though I think I meet all the requirements (there aren’t many), I don’t know how selective they are, or if they might have a preference for people who have studied art, animation, and drawing longer than I have… after all, I majored in Computer Science! But of course, I never had an opportunity like this… anyway, it’s feeding my daydreams for the week.

Things that look good about it:

  • Taught by pros from the big studios, like ILM, Pixar, Blue Sky, etc. with actual online interaction with them.
  • Very focused on just character animation, not diluted with software specifics, or how to model things, or do lighting, etc.  Just character animation!
  • Few requirements.  I don’t have to submit a portfolio, like many art schools require.
  • Very nice looking showcase reels from previous students.  (Though some students’ reels don’t look as good as others (some on YouTube look pretty awful), the ones that make it to the showcase are pretty spiffy.)
  • Very good reviews online found by Googling around about it.
The things that make me hesitate:
  • Price… $18,000 *gulp*

Happy St. Patrick’s Day!

irish

Whew, the month is really flying by… already St. Patrick’s Day!  I think March should be Irish history month.  Let’s talk about some Irish history for a minute.  Why, I believe it was in the 1880’s that a very important Irish man came to America.  His name, Timothy O’Donovan or something.  He was a very important man, mostly because his great great great (great?) grandson was eventually born… and it was me!  Wow, what a great look into Irish history.  Join me next time when we look into the history of another Irish guy, James (or John?) Hannifin… bet you can’t guess what he’s famous for… (clue: something to do with me).

But enough about old dead guys from Ireland.

Enjoy your St. Patrick’s Day with some potatoes, a bit of Mozart on the stereo.  Oh no wait, he’s not Irish.  It’ll have to be Hannifin then on your stereo.  Oh well, rules are rules.  Wear green and dye your hair orange.  Eat lucky charms for breakfast.  Speak with fakey Irish accents.  Put an O in front of your last name.  Try to get a job at “no Irish need apply” shops.

Enjoy!

Yet even more long blatheryness about consciousness

My family and I are off to see the musical Wicked tomorrow.  Should be fun.  It will be the closest to thing to a vacation I’ve gotten and will get for a while, methinks.

The rest of this long blathery post will be yet some more thoughts I think I thought while reading Consciousness Explained by Daniel C. Dennett.

Funny little story

Here’s just a funny little story from page 59 of Conscious Explained by Daniel C. Dennett:

A neurosurgeon once told me about operating on the brain of a young man with epilepsy … [he was] making sure that the parts tentatively to be removed were not absolutely vital by stimulating them electrically and asking the patient what he experienced … one spot produced a delighted response from the patient: “It’s ‘Outta Get Me’ by Guns N’ Roses, my favorite heavy metal band!”

I asked the neurosurgeon if he had asked the patient to sing or hum along with the music, since it would be fascinating to learn how ‘high fidelity’ the provoked memory was.  Would it be in exactly the same key and tempo as the record? … The surgeon hadn’t asked the patient to sing along.  “Why not?” I asked, and he replied: “I hate rock music!”

Later in the conversation the neurosurgeon happened to remark that he was going to have to operate again on the same young man, and I expressed the hope that he would just check to see if he could restimulate the rock music, and this time ask the fellow to sing along.  “I can’t do it,” replied the neurosurgeon, “since I cut out that part.”  “It was part of the epileptic focus?” I asked, and he replied, “No, I already told you — I hate rock music!”

I wonder if I could make everyone in the world love my music and hate other people’s music by operating on their brains?  I wonder if I could also religiously convert them too, so that they will all think I’m a god.  But, of course, I believe that would be morally wrong, so I would have to operate on my own brain first.  Then I will believe it to be right.

Ha ha ha!

On page 62, Dennett writes:

There is a species of primate in South America, more gregarious than most other mammals, with a curious behavior.  The members of this species often gather in groups, large and small, and in the course of their mutual chattering, under a wide variety of circumstances, they are induced to engage in bouts of involuntary, convulsive respiration, a sort of loud, helpless, mutually reinforcing group panting that sometimes is so severe as to incapacitate them.  Far from being aversive, however, these attacks seem to be sought out by most members of the species, some of whom even appear to be addicted to them.

When I realized he was talking about humans and our habit of laughing, I could not help but engage in involuntary convulsive respiration myself.  When you laugh at the thought of how strange laughter is, you can create an internal infinite laugh loop.

Thoughts on the whyness of things and such

On page 64, Dennett writes:

We can give a perfectly sound biological account of why there should be pain and pain-behavior … what we want is a similarly anchored account of why there should be hilarity and laughter.

I think one has to be careful in asking “why?” because it can mean two different things.  There’s the cause-and-effect why and the purpose why.  For example, if I ask “why does the heart pump blood?” you could either answer “to get blood to other parts of the body, duh” (purpose why) or “because the brain tells it to, duh” (cause-effect why).

The thing is, purpose why applies only to human actions (and perhaps animal actions); consciousness and planning create purpose why.  Nature works only with cause-effect why.  But we tend to project a purpose why understanding of the world sometimes, especially on things like evolution and living systems.  Why do we have hands?  Not to grab things; nature doesn’t know anything, and it doesn’t care about grabbing.  You could argue that being able to grab things has provided an evolutionary advantage.  OK, but that still doesn’t answer how hands came to be.  Before creatures could grab things, nature didn’t say “it would be nice to have a body part that could grab things!”

Ultimately I think the reason we have hands, the reason we laugh, the reason we cry, feel pain, etc., all lie in the complexity of DNA replication over many millions of years (and the effect of having physical advantages (which is not to say that all elements of the human body have some evolutionary advantage; I doubt they do; why only one thumb, for instance?  There’s no advantage to having only one thumb)), and since that system is too complex for us to understand at the moment (and there are things about it we may never be able to fully know anyway, like the entire DNA structures of all of our ancestors), we might as well say that it’s random, that there is no reason.

All that said, asking [the right kind of] why might still help us learn something, but we should realize that it might be something we can never know.  Dennett might call this “defeatist thinking” … but oh well.  (Oh well?  More defeatist thinking!)

Knowing thyself

On page 67, Dennett writes:

Perhaps we are fooling ourselves about the high reliability of introspection, our personal powers of self-observation of our own conscious mind. … We are either “infallible” — always guaranteed to be right — or at least “incorrigible” — right or wrong, no one else could correct us.

This reminds me of a post I wrote a long while ago in which I blathered about why I hated being a teenager.  (It has nothing to do with a “maturing brain” and everything to do with society and parents trying to continue to maintain power and control over “teens,” which is a pretty new word/concept in the scope of human history.)  If you read the comments, someone says:

Though I can’t say I agree with the phrase “That’s why” in cases like this… “That’s what made me moody and depressed” — I really don’t think anyone has the authority on how their responses work to stimuli. If you’re on that level, you ought to be able to supersede them and establish control over your mind; however, I think that inability to control goes hand in hand with deficit understanding.

To which I responded:

Yikes! But then, who does? Does anyone? Shouldn’t I be the authority on how I feel, if I speak for myself at least? Can’t I know what’s making me miserable?

Now, I’d still defend the notion that teens being forced to do things makes them miserable. I think it makes just about everyone miserable.  Would parents in their 30s or 40s really want to trade places with their teens? I think not (though some might not admit it). But then, how many teens would agree with me? What are the reasons teens give for being so “moody”? The world is stupid and no one understands them?

So, I still agree with myself on the issue of “the myth of the teen brain” (and the myth that there even is a “teen” stage of psychological development), but I also agree that in many circumstances (uh… except this one) we should be cautious of thinking we can understand why we feel what we feel.

In fact, I think this is kind of exploited in works of fiction like the show House, when a character might say something like “I’m trying to help you!” and House will say something like “no, you don’t care about me, you just feel guilty about about what you said to Chase” or some other psychological twist that sheds new light everyone’s motivations, which is one of the reasons the show is fun to watch… the characters’ true motivations for everything is almost always in question (OK, maybe not always, but still).

How well can we truly understand our own motivations and causes of our feelings and our own thought processes and whatever? How are we to know?

On a side note, I’ve always thought it not only useless, but also a bit dangerous to too deeply psychoanalyze yourself (or believe someone else’s psychoanalysis of you). You’re probably likely to be wrong about yourself, and then acting on your own psychoanalytical conclusions, you may destroy yourself even further whilst thinking you’re helping yourself.

Though maybe I’m just saying that because I’m uncomfortable being too self-conscious… oh wait, oops, I was psychoanalyzing myself there…

But, really, if someone tried to convince me that they knew how their own mind worked, and what their subconscious desires were, I’d think “oh brother” and not believe them. Unless they agree with me on the teenager issue, of course.

That’s all folks

OK, is that enough?  I think so.  I kind of rambled, and I’m not sure I’ll fully agree with everything I said a few days from now, but writing all this helped the spare time go by today at work, and it made me feel as if I was doing something useful with that spare time, even though you can probably tell that that was not case.

Hannifin Records will never die…

HRLogoSmallHope you like my little Hannifin Records logo for my vanity label.  I sent my album to the manufacturers yesterday, so it’s all in their hands now (or, for now, in the post office’s hands).  I think waiting will make me a bit restless.  Gotta work on the Hannifin Records site now.  I’d like to be able to sell the album on the site right when I get them from the manufacturers, instead of having to wait for CD Baby to do all their setting up (though I’ll still definitely send it to them).

Yeah, my posts have been really boring lately… not that they were ever really that interesting.  I should start a blog on how to make money blogging; I think those are the blogs that make the most money.  How come those blogs never start with posts about starting off poor?  I mean, how do you start a blog like that?  What do you put in your first post before you’ve made anything?  And then do you blog about only having made a few cents?  I think you have to start off lying, saying you’ve made way more than you really have…

Nothing of importance

If I can get all the paperwork in order tomorrow morning (my part time job gets in the way… but at least provides me the funding to be able to do this), my CD manufacturing order will be in the mail tomorrow afternoon.  I’m not sure how long it will take them, but I’d give them the rest of the month.  In the meantime, I purchased the domain www.hannifinrecords.com (doesn’t go anywhere yet) as Hannifin Records is my new record label that I will use to sell the album (along with CD Baby and iTunes and whatever).  So I’ll be busy setting up that site while waiting for the manufacturers.

That’s probably not very interesting news, is it?  I really haven’t been up to much else; been spending my free time obsessing over this project.  Probably too much obsessing, but it’s a lot of fun, I’m excited.

Oh, I did get a couple rejections for my fantasy short story No One Was Abendsen.  One of these days I’ll sell something, even if I have to buy it myself.