{"id":725,"date":"2010-10-04T19:04:07","date_gmt":"2010-10-04T23:04:07","guid":{"rendered":"http:\/\/wizardwalk.com\/newblather\/?p=725"},"modified":"2010-10-04T19:09:47","modified_gmt":"2010-10-04T23:09:47","slug":"uh-oh-i-dont-want-to-write-a-tragedy","status":"publish","type":"post","link":"http:\/\/wizardwalk.com\/newblather\/?p=725","title":{"rendered":"Uh oh, I don&#8217;t want to write a tragedy"},"content":{"rendered":"<p>I&#8217;m still slowly but surely continuing to plot my novel <em>The King of Diaden<\/em>.  I have an outline which details the main events of each of the 45 chapters I think I&#8217;ll have, and now I&#8217;m going through and writing a little outline for each chapter, which I&#8217;m hoping will make writing easier.<\/p>\n<p>This is also helpful just to get the characters and the tone of the story pounded deep into my subconscious.  I&#8217;m not sure if that&#8217;s something readers will be able to recognize, but I think it will surely make writing easier.<\/p>\n<p>Currently, I&#8217;m outlining chapter 7, but I&#8217;ve already hit my first little snag&#8230; the overall tone of the novel isn&#8217;t working for me.  It&#8217;s too tragic.  It&#8217;s as if one of my themes is: &#8220;Life stinks!&#8221;  And I don&#8217;t really want it to have that theme.  At the same time, I don&#8217;t really want to change the tragic elements of the ending.  So I&#8217;m really struggling trying to figure out how to make the tone of the novel more positive, while not changing what actually happens plot-wise.<\/p>\n<p>My first idea is to change how the characters respond to certain events in the plot; they should be more optomistic.  Their spirits should be more positive, even though certain plot events are understandably tragic.  Not that they don&#8217;t feel sad, but they shouldn&#8217;t let that sadness stop them from feeling good about other plot events; it shouldn&#8217;t get them down in the dumps.<\/p>\n<p>This idea is somewhat dangerous, however, as I certainly don&#8217;t want their attitudes to seem too sugar-coated, or just too plain apathetic.  I don&#8217;t want their reactions to seem like a silly lie.  So I think this will be a tough balancing act.<\/p>\n<p>My second idea is to separate the narrator and the viewpoint character at some points.  I like the idea (and have used it before, mostly in my unfinished novel attempt <em>The Game of Gynwig<\/em>) of adding in [a little dark] humor by having a narrator who describes tragic events bluntly, because he <em>is<\/em> apathetic.<\/p>\n<p>(That isn&#8217;t to say the narrator has to state: &#8220;Hello, I am your narrator&#8221; and be some defined character, like Lemony Snicket.  It just means there is no viewpoint character at that point, or it&#8217;s a very limited viewpoint.)<\/p>\n<p>Again, that will be another balancing act, because if I overdo it, it will be much more of a comedy book, and it won&#8217;t be that funny.<\/p>\n<p>And, lastly, I suppose I should try to keep the tone of the novel focused on the wonder of the magic in the book.  Overall, it&#8217;s still a character driven story, it&#8217;s not just a portrait of magic.  In other words, the <em>theme<\/em> of the novel shouldn&#8217;t be just how wonderful the magic is.  But it <em>should<\/em> have an effect on how the story is told.<\/p>\n<p>Not sure if I&#8217;ll be able to keep all those ideas in my mind while I write, but I hope I can pound them into my subconscious so I can start understanding the story as an overall positive story, and not a big gloomy tragedy, which is kind of how it seems to me now.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m still slowly but surely continuing to plot my novel The King of Diaden. I have an outline which details the main events of each of the 45 chapters I think I&#8217;ll have, and now I&#8217;m going through and writing a little outline for each chapter, which I&#8217;m hoping will [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[4],"tags":[276],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p7gI4B-bH","_links":{"self":[{"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=\/wp\/v2\/posts\/725"}],"collection":[{"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=725"}],"version-history":[{"count":0,"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=\/wp\/v2\/posts\/725\/revisions"}],"wp:attachment":[{"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=725"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/wizardwalk.com\/newblather\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}