Purchases

Short Wicked review and other boring things

Seeing Wicked

My family and I went to see the musical Wicked yesterday.

wicked The bad: Going in, the lady person (at the Landmark Theater in Richmond, VA) handing out the programs wouldn’t give me one. She said “Oh, it’s only one per family! Snicker snicker snoody-doo!” I made that second sentence up, but $55 for way-in-the-back seats and you don’t even give me a program?! You pathetic loser booger-heads! We did end up getting more; who doesn’t like to collect programs of the performances you’ve seen? One per family. Tsk tsk. You should be ashamed of yourselves.

Secondly, the seating at the Landmark Theater in Richmond, VA is just pathetic; at least up in the balcony seats. (I think the place was built in the 1920s or something.) It was like stadium seating, but extremely squished. Not designed for tall people at all.  The seats in front of you dig into your knees. It’s just really poorly designed. I would recommend nobody ever going there again for anything. Pathetic, you fail, Landmark Theater!

The good: The musical itself. After familiarizing myself with the Wicked soundtrack for the past few years, it was great to finally see the entire story behind it, which was a quite engaging story (should make a good movie someday – I doubt much story editing would be needed). I loved the whole fantasy feel to the whole thing, in the set designs and the costumes and the lighting. The big talking Oz head is just awesome. You don’t get that stuff on the soundtrack.

A bit of trivia (that I found online; probably old news to die hard fans): the first seven notes of the tune “Somewhere Over the Rainbow” are hidden in the musical. Stephen Schwartz used them for the “Unlimited” theme. The rhythm and harmonies are different, so you don’t recognize it at all, but it’s awesome that they’re there.

Album art

In other news, here is a preview of what my first album’s cover will probably look like. The manufacturers are estimating they will be done manufacturing the thing by March 31st. That’s, of course, just an estimate, and then it will still require some time to ship. But we’re getting closer and closer! Maybe this whole process becomes more mundane after you do it a few times, but for a first time it’s extremely exciting!

Alice in Wonderland soundtrack

alice Speaking of albums with awesome music (heh), I recently bought Danny Elfman’s score to the newest Tim Burton film, Alice in Wonderland. Even though the movie as a whole was kind of meh, the music is fantastic. It’s some of Danny Elfman’s best work in a while. The first track is kinda like the first track on the Coraline soundtrack, except in Elfman’s score the children’s choir is singing in English (in Coraline it sounds like they’re singing in gibberish). Both utilize children choirs singing hauntingly beautiful melodies with delicious epic orchestration. Ahhh… awesome stuff. So… you should buy it.  At least buy the first track “Alice’s Theme” on iTunes or something.  It’s Hannifin recommended.

Blah blah

It still feels like it should be an hour earlier…

By S P Hannifin, ago
Music

A little thought on consciousness and stuff

I hope this blog isn’t becoming too self-conscious… aha… ahahaha…

Ahem…

On pages 39-40 of Daniel C. Dennett’s book Consciousness Explained, Dennett writes:

Some people are convinced that we can’t [understand consciousness] in any case. Such defeatism, today, in the midst of a cornucopia of scientific advances ready to be exploited, strikes me as ludicrous, even pathetic, but I suppose it could be the sad truth.

It might be the sad truth, but that won’t be the failing of science, it will be the failing of consciousness itself. For example, we can theorize about the big bang, about the nature of time, about string theory, but we can’t conceive four or more spatial dimensions, we can’t think about time not existing, we can’t even imagine ourselves not existing. (If you’d like to get religious: we can’t understand the nature of God.) These are the limits of our mind. Why do these limits exist? Are they based on limits of the real physical world, or are they purely mental? A dog can’t conceive suicide, yet he might run out in front of a car. Just because he can’t conceive it doesn’t mean it doesn’t exist. Is it the same with humans?

So… what if consciousness fits into this category? Well, we know it exists, that’s not the issue. The issue is why? How? Perhaps that is beyond our consciousness’ ability to know; it is not a failing of our reasoning or our science, it is just a limit of the nature of our existence.

Funny Leo Laporte videos

Lastly, since I’m now going to post Stuff I Found stuff here (and kill that blog), here are some funny videos of clueless people calling Leo Laporte (former host of that wonderful show of my yesteryears, The Screen Savers). Enjoy.

Phantom of the Opera sequel

I’m listening to the Phantom of the Opera sequel, Love Never Dies, on Rhapsody right now and it’s… uh… interesting. I hate how musical soundtracks these days have no reverb. I like the old musical recordings, when it sounded like the singers were on a stage, when it made me feel like I was in a theater. Music wise, it’s good, but not very Phantomy… or at least with a huge atmospheric twist, since the story takes place on… Coney Island. Not very… gothicy… more like the haunted fairgrounds of a Scooby Doo episode. It’s just… odd. A very different spirit to thing.

I wonder if they can get Michael Crawford to sing some of the songs… just to hear what it would’ve been like.

Gah, so annoying with no reverb…

By S P Hannifin, ago
Philosophy

Why In Fact Publishing Will Not Go Away Anytime Soon: A Play in One Act

CHARACTERS:

ELTON P. STRAÜMANN, a modern-thinking man with exciting ideas
SEAN, a humble wannabe writer

Act I

SCENE OPENS ON STRAÜMANN and SEAN, standing.

STRAÜMANN: Do you want to buy this self-published book?

SEAN: No.

STRAÜMANN: Obama is awesome.

CURTAIN FALLS

John Scalzi wrote a longer version on his blog that goes into a bit more detail on the subject, but really I think it just comes down to marketing, and the whole business of that.  A catchy professional-looking cover is part of marketing.  Potential readers have to expect that your book will be well-edited.  And having bookstore shelf-space is pretty huge.

Scalzi seems to miss one thing (which is not to say he doesn’t believe it; I just didn’t notice him mentioning it): a self-published book is NOT automatically worse than a professionally published one.

That said, from my few observations, self-published books definitely TEND to be of lower quality.  The few self-published books I’ve looked at have been so unspeakably awful that I’ve lost most faith in them.  I’m not very likely to buy one.  Ever.  At least if things stay as they are in terms of quality.  See this older post.

That said, I do think there are unpublished writers out there somewhere who’s works of fiction I would enjoy immensely; I do not believe publishers and editors are the almighty gods of determining what writing is good and bad.  I am that god.

So what self-publishers really need if they want to prove Scalzi wrong (though the character Scalzi created would never be so adept) is to 1) actually polish their writing (I think editors are a huge help, but not the end all be all, and certainly NOT the reason publishing will not die soon) and 2) market better.  Now, how exactly one “markets better” is a huge subject, and not one that I claim to have much of a clue about.  However, starting a Twitter following campaign is probably not the way to go.  If you are dumb enough to market like that, then of course your writing must be garbage.  (As in many arts, it’s a lot easier to recognize what not to do.)

It would be nice if there was a way for self-published books that aren’t garbage to get noticed more easily.  I’m sure there are some people out there working on this problem, perhaps through blogs or sites that review self-published stuff, or at least track sales.  And there’s the whole book-podcasting thing.

But can self-publishers ever market with the power of the big publishers?  I don’t see how, unless they just overwhelm the market with quality content, which I can’t see happening.  The big publishers have the money to market.  If your self-published book does well and a publisher becomes interested in your material, you’d have to be a complete idiot to refuse… and though you’d benefit from that, you’re also making them stronger.  Not that that’s bad.

All this talk kind of makes me want to be a publisher… but I can’t really afford such a gamble right now.

The only other thing that remains to be seen is the effect of book piracy.  When publishers aren’t making money, will that even the playing field?  Will there be enough pirates to do that?  How popular will ebook readers become?  I still think ebook readers and ebooks are a bit of a rip-off, so I don’t see myself switching any time soon.  I can’t predict the future very well (I thought the iPhone sounded like a dumb idea… (so does the iPad for that matter…) but I was right about blu-rays winning the high-def format war) but if a lot people think like me, ebooks and ebook readers will either have to become drastically cheaper, or remain about as popular as they are now, which doesn’t seem very (though enough that publishers are continuing to pursue it).  But… who can know?

A rather lengthy aside: if ebooks do become much more popular, I have a very very tough time believing publishers and distributors wouldn’t have to change their business models drastically.  If I were a published author, and the publisher and distributor were no longer dealing with a bunch of physical inventory, then their roles would be completely different.  I’m not even sure why I should need the distributor at all if all they’re doing is hosting digital files, besides to make my book easier to find.  But shelf space becomes infinite.  And certainly the publisher shouldn’t need as much $$$$ if they don’t have to deal with paper.  Look at this recent fight between Macmillan and Amazon regarding ebook prices.  Macmillan wants to charge $15 for some ebooks?  What morons out there are buying ebooks for that price?  (I shudder to think.)  I have to side with Amazon on the issue… but even $9.99 is too much… what in the world are publishers thinking?! I guess they just don’t how to work this business yet and are trying to be safe… and rip people off while they can… (Or are they trying to counter ebook piracy losses early on?  And punish the legitimate buyers?  Nah…)

Another aside, as I browse Scalzi’s blog… Scalzi wrote about the Amazon vs. Macmillan and wrote a post about supporting authors.  I guess I might seem cold-hearted, but… NO.  Ever hear the phrase “don’t quit your day job”?  Yeah, well… Not that I think stealing is the way to go, but when I buy a book, it’s a trade for my benefit, not the author’s.  If you [authors] want more $$$$, maybe find a way to cut out the middle men with all this new technology?  Oh, but no, you don’t want that… well don’t go whining about financial troubles to me then.  (Not that Scalzi is really whining, I’m just being dramatic.)  If Amazon’s move was against authors (as Scalzi seems to claim), it was also for readers.  So are the authors against readers?! What do authors think about Macmillan’s pricing?  If they think $15 for an ebook is OK, then I’m not sure I want to read their books because they obviously don’t mind being published by a company who would like to rip-off customers.  Thanks!  Don’t ask us, the audience, to do something about it.  You do something about it.  You’re the ones getting paid.

OK, I digress…

Anyway, to sum up my point, publishers won’t go away anytime soon simply because most people who buy books buy them from professional publishers.  That’s really all it comes down to.

Now you must admit that my play is better than Scalzi’s, right?

By S P Hannifin, ago
Stupid things

Disney Records is evil and stupid

Me whining

The new Pixar movie Up just came out.  I haven’t seen it yet, but look forward to sometime in the next couple weeks.  Can’t wait to see Pixar animation goodness in 3D!

Right now, as far as I can tell, Pixar is the only good part of Disney.  (Well, them and the theme park rides.)  In fact, Disney executives should just fire themselves and let Pixar take over.

Anyway, I’m pretty angry with Disney right now.  I saw that Michael Giacchino composed the score the Pixar’s new film, Up.  Giacchino also did the scores for The Incredibles and Ratatouille.  These are two of my favorite film soundtracks of all time; Giacchino is just brilliant.  I was really looking forward to adding the Up CD soundtrack to my collection . . . but NOOoooOOO . . . according to this post, Walt Disney Records doesn’t plan on releasing a physical CD.  They’re selling the score as download only, through iTunes and Amazon and such.

What the?!  Why?!?  Is creating physical CDs that expensive?  Do they think all the people who would have bought the physical CD will just as happily download the album for only $3 less?  Did they think it was just about the music?  No, no, no . . . if it was just about the music, there’d be no reason to buy anything.  For physical CDs, it’s about having something physical, something collectible, something you can easily play in any CD player.  For digital downloads, it’s about convenience.  One click (or a few) and you got the music you want.  These are non-transferable.  If I can’t have a physical CD, what incentive at all do I have for purchasing a download?  That’s not what I wanted.

So thanks a lot, stupid Walt Disney Records!  I hate you now!  And I’m not buying a digital download for this movie soundtrack!

Or . . . who knows?  Maybe the blog post is wrong, or maybe they’ll release a physical CD in a few years?  Well, by then it will be too late!  You big pathetic losers!

Stinks.

By S P Hannifin, ago